Call for Papers
 
"Culture and Modernity: Georg Simmel in Context"
Interdisciplinary Graduate Student Conference
Humanities Center, Harvard University
Cambridge, MA (USA)
16-17 April 2005
 

An interdisciplinary graduate student conference hosted by
the Humanities Center at Harvard University on April 16th
and 17th, 2005. The conference seeks to disentangle and
reshape the paths of Georg Simmel’s influence across
disciplines.

Keynote speaker will be Professor David Frisby of the
University of Glasgow, Department of Sociology, Anthropology
and Applied Social Sciences.

Simmel consciously presents his oeuvre for appropriation and
reinterpretation, allowing for, even necessitating, its
simultaneous perpetuation and disappearance. Unconcerned
with bequeathing a unified set of ideas, Simmel—a thinker
obsessed with origins—denies his own body of thought a
unified point of originary importance. Against the backdrop
of Simmel’s effacement and versatility, where do we locate
his scholarship in the overlapping between cultural and
social studies? We encourage graduate students from all
departments, including economics, history, literature,
philosophy, sociology, and psychology, to submit their
abstracts for papers. Presentations aim to contextualize
Simmel’s impact on the following topics, but not limited to:

1. Conflict and Creativity: How can we understand Simmel’s
concept of conflict as a binding cultural force fruitful for
an interpretation of a world characterized by global wars?
How are we to conceive his idea that cultural creation is a
source of tragic fragmentation?

2. Urbanism and Life: How do Simmel’s perspectives on
individuality, modernity, and urbanism prefigure postmodern
engagement with these topics? To what extent do we still see
the contingencies in the urban space as Simmel delineates in
“Metropolis and Mental Life”? How does Simmel’s theory of
the urban space coincide or conflict with other views held
by theorists and writers, like Walter Benjamin and Alfred
Döblin?

3. Fashion and Society: Where do we observe constructive and
destructive forces within the creation and dissemination of
fashion? In what ways does Simmel’s insight into fashion at
the junction between commodities and practices develop into
his metaphysics of individuality?

4. Film and Modernity: How has Simmel’s writing helped us
understand the relationship between film and modernity? From
Simmel’s perspective, how do film and society engender each
other? Where can one trace Simmel’s influence on other
twentieth-century film scholars, like Siegfried Kracauer?

5. Money and exchange: During the process of rapidly
expanding industrialization, where does Simmel’s Philosophy
of Money (1900) situate the modern individual within the
culture of exchange and the exchange of cultures? How is
Simmel’s view of capitalism to be contextualized with
respect to theorists, like Karl Marx, Max Weber and Emile
Durkheim?

6. Religion and Individuality: How does Simmel’s theory of
religion help us understand the tension between the
individual and society? Confronted with religious clashes,
such as the Middle East conflict, in what ways does Simmel’s
concept of religiosity allow or disallow the communion
between people(s) with “different” beliefs?

Graduate students from all disciplines are encouraged to
submit paper abstracts of 350—500 words. Conference
presentations are to be given in English and should not
exceed 15 minutes, which correspond to papers of 6 to 8
pages double-spaced in ordinary type. Abstracts must be
received by February 15th, 2005. Notifications of accepted
papers will be sent out by March 1stth.

Please email your abstract as a Word attachment to:
Danny Bowles ([email protected]) or
Kristin Jones ([email protected]).

In the body of your email, please include the following:
title of paper, authors name, institutional and departmental
affiliation, email address and telephone number.

For further information, please contact Gundela Hachmann
and/or David Kim at [email protected].



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