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Call for Papers

"Alien/Asian: Imagining the Racialized Future"
MELUS: Multi-Ethnic Literature of the United States
Special Issue

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This special issue of MELUS invites original article-length
submissions (6,000-10,000 words, MLA format) addressing the
racialization of the Alien/Asian subject in works of science
fiction, fantasy, speculative fiction, or other such
similarly aligned textual genres. The so-called "Asian" has
been the site of multiple anxieties that have marked this
subject as the inscrutable immigrant alien (Immigration Act
of 1924), the subhuman monster (as embodied by the evil
machinations of Fu Manchu), or the eerily agreeable "model
minority."

This special issue seeks innovative, dynamic readings on the
perennial "alienness" of the Asian that draws inspiration
from these historical developments and stereotypes which now
cast the Asian as cyborg, robot, alien species, perhaps
inhabiting a post-apocalyptic world in which race takes on
complicated new formations and intersectionalities. We
broadly define Asian/American narratives and texts. Papers
will dialogue with each other through broad theoretical,
thematic and analytical methodologies including but not
limited to "post" critiques (e.g. postmodernism and
posthuman), hybridity and contact zones, allegories of
empire and colonialism, cell and tissue theory, materialist
approaches that consider scientific studies, new media
studies and hypertext, just to name a few.

Articles might examine the configuration of dystopic and
fantastic futures in texts such as Cynthia Kadohata's "In
the Heart of the Valley of Love," Karen Tei Yamashita's
"Tropic of Orange and Through the Arc of the Rainforest,"
Sesshu Foster's "Atomik Aztex," Alejandro Morales's "Rag
Doll Plagues," Octavia Butler's "Parable of the Sower,"
Hiromi Goto's "The Kappa Child," Larissa Lai's "Salt Fish
Girl," Amitav Ghosh's "The Calcutta Chromosome," Vandana
Singh's and Yoon Ha Lee's short fiction, the work of
Lawrence Yep, Tess Gerritsen's Gravity, Minsoo Kang's Of
Tales and Enigmas, the vampire fictions of Cecilia Tan,
among many others.

Not to be overlooked, we hope to solicit articles that
address experimental, avant-garde poetic works that
interrogate the Alien/Asian in relation to science,
technology, and/or the future such as Cathy Park Hong's
"Dance Dance Revolution," Brian Kim Stefans's "Before
Starting Over," Mei-mei Berssenbrugge's "Four Year Old
Girl," and Shanxing Wang's "Mad Science in Imperial China."
In addition, articles might examine Greg Pak's screenplay
and adapted movie Robot Stories, which uses an almost
entirely Asian cast to play overtly with categories of
humanity and machinery, while leaving loudly unspoken the
representation of race.

Alternately, submissions might compare Asian American
textual productions with the rich implications of Grace
Park's "colorblind" casting as the humanoid Lt. Sharon
Valerii, a Cylon in the current Sci-Fi original series,
Battlestar Galactica, or other recent casting choices in
LOST and Heroes, television shows which continue to draw on
the "Asian" as a participant in a science fictional world in
which Americans are black, white, and Latino but never
Asian.

Is the literal dehumanization of the Asian Other in actual
effect dehumanizing, and/or perhaps (paradoxically)
metaphorically enabling? What kinds of permutations to the
interracial romance, discourses of hybridity and "hapa"
identity emerge from these conceits? Do speculative futures
suggest a post-race politic that destabilizes and challenges
the grounds of Asian/American Studies?

Please e-mail articles as anonymous word attachments with an
accompanying abbreviated 1 page c.v. to Stephen Hong Sohn at
<[email protected]> by September 30, 2007. Any
queries may be forwarded to the same e-mail address.


Contact:

Stephen Hong Sohn
Department of Asian American Studies
University of California, Irvine
USA
Email: [email protected]

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