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Call for Publications

Theme: Hybridization in the History of Ideas
Publication: Journal of Interdisciplinary History of Ideas
Date: Thematic Issue (2022)
Deadline: 15.3.2022

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In its root, the term ‘hybrid’ has to do with hybris: it refers to
violations, insolence, violent passions, lust and wantonness, excess.
The corresponding Latinization also has a clearly negative
connotation (Pliny NH 8, lxxix). It slowly becomes a neutral term,
finally a technical one, yet confined to the sciences of the living
or to zoological and botanic ‘philosophy’. It is only in recent
times—largely as a counterpoise to 19 th- and 20th-century ideologies
of racial purity—that it earns a positive, interesting, even
captivating connotation, that allows ideas and metaphors of
hybridization (Stross 1999) to be widely employed. Hybridization thus
becomes a pivotal element in a terminological constellation
celebrating productive combinations and mixtures (Burke 2009) that
challenge ordinary subdivisions and polarisations.

Looking at the past from this viewpoint, one can satisfyingly
describe as ‘hybrids’, e.g., the grotesque doodles of composite
creatures that inhabit manuscript margins (Camille 1992), and
likewise the colonial cultures of Baroque and post-Baroque Latin
America (Salgado 1999), as well as any hint of cultural hybridization
from prehistory to the post-colonial state (Stockhammer 2012).
Hybridization itself, as a concept and an idea, is thus born out of
terminological and conceptual hybridizations, and undergoes
transformation and reuses that strongly depend on disciplinary
cross-breedings.

Metaphorical uses of the concept, expectably, are not constrained by
the specific limitations of the biological process and can attain a
certain generality. Hybridization in knowledge has been defined as
the “admixture of information drawn from diverse sources (...) to
make something new” (Winterbottom 2016). Since antiquity, conceptual
admixtures accompanied the passage from one cultural phase to
another, e.g. with Hellenistic appropriation and elaboration, or from
one culture to another, e.g. in the Latinisation of Greek
philosophical and scientific doctrines. The Early Modern saw a phase
of constant hybridization (see e.g. Burke 2016) in the disciplines of
thought: both of ideas and concepts, that are the primary object of
this call, and of objects (e.g. Gaida 2016) and practices, in which
we are also interested, as far as they, on the one hand, embed and
reflect, on the other hand produce new ideas and concepts. In modern
times, these processes are undoubtedly still ongoing and likely are
entailed in uncounted conceptual and disciplinary innovations.

Conceptual hybridization, therefore, can be described as a
transformative process in which certain existing concepts and ideas
undergo a commixture, or are intermixed into other existing
conceptual formations, so that existing notions are reshaped and
gradually renewed, or an unexpected novelty is produced in the domain
of documentable historical dynamics of ideas and concepts. Such
processes — to which bakhtinian-like ‘unconscious’, ‘intentional’,
and ‘polyphonic’ components might be ascribed — would find a test of
their relevance in their being recognized and met with appreciation
or ostracization, or having been considered contentious in relation
to historically perceived alterities between ideas and doctrines.

The hybridization of concepts and ideas is undoubtedly a
multi-faceted phenomenon. This Call for Papers intends to highlight
and elucidate these facets and processes, from the simultaneous point
of view of the history of ideas and of the intersection of
disciplines that characterize the Journal of Interdisciplinary
History of Ideas. Contributions may focus on very specific or on
wider-ranging historical cases, but general and methodological
contributions might be also considered.

Deadlines

The special issue of the Journal of Interdisciplinary History of
Ideas on Facets of Hybridization in the History of Ideas is planned
for mid-2022.

Articles, along with a 300-words abstract and keywords, must be
submitted before March 15, 2022.

A first scrutiny by the guest editor and the editorial staff will be
followed by a double-blind peer review process for the selected
papers.

Submission

Submitted articles may be written in English or French (in the latter
case, English- language title, abstract and keywords shall be
provided before publication), and can be either uploaded to the
journal website through the standard procedures, or sent to the
following email address:
[email protected]

Submissions must contain original and unpublished work. Contributions
are expected to adopt a genuinely interdisciplinary perspective in
the history of ideas. The text can be provided in .odt, .doc, .docx,
or .pdf format, and must not include authors’ names and affiliations
(pay attention to metadata and properties), nor self- references that
reveal the author’s identity.

Authors are welcome to discuss their prospective contributions with
the journal editors and the guest editor of the issue before
submission.

For further information, please contact the staff of the Journal:
[email protected]


Journal website:
http://jihi.eu





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