Hi Nick, 
  
Thanks very much for providing parallel confirmations for the freakish 594-3WV 
and 792-4RN receptions here in Puyallup! 

 When 594 was first fading in with audio around 1355 I was very skeptical that 
it wasn't JOAK, and wasted some time repeatedly checking the null bearing to 
confirm the SW direction. The other LR network parallels on 702, 774 and 828 
stayed at heterodyne levels during the 594 audio, and when it faded around 
1403, the weak 828 audio (presumably 3BI) was the only signal available from 
the network. When 792 had a strong fade-in at 1405 I knew I was pretty much out 
of luck for a parallel, since 576 hadn't even registered a weak carrier, let 
alone something like 846. I was hoping that one of the Victoria DXers could 
clear up matters, and your assistance certainly made all the difference. Thanks 
a bunch! 
  
73, Gary (previously in a DU-dead zone, where they might be rising for 
Halloween?) 
  
  
  
   
----- Original Message -----

From: "Nick Hall-Patch" <[email protected]> 
To: "Mailing list for the International Radio Club of America" 
<[email protected]> 
Sent: Saturday, October 10, 2015 9:52:26 AM 
Subject: Re: [IRCA] Puyallup, WA Ultralight DU's for 10-10 (Really) 

Good on the 4RN Gary.    Yes, that was it all 
right, your recording is of a female jazz 
vocalist testing out the pipes a bit.  Here, it 
was tough to find any parallels, but 576, though 
very faint at that time, seemed to have the same 
vocalist, so I think you can claim it. 

You can also claim the laid back vocalist on 594 
which was parallel to 774 here at that time. 

Aren't you glad you got up, hi. 

best wishes, 

Nick 




At 15:03 10-10-15, you wrote: 
>It wasn't exactly a Victoria-like session, but 
>freakish auroral conditions brought the first 
>Australian DU audio to Puyallup in 8 years. 
>Audio showed up on 594, 792 and 828, although 
>they didn't cooperate to provide parallels. The 
>SSB spotting receiver had them all nulling to 
>the SW, however, leaving no doubt of their 
>origin. Â  Around 1152 in the predawn darkness 
>738-Tahiti managed its best signal ever here, 
>with good-level French speech rising above the 
>KCBS splatter in the freakish conditions. Things 
>stayed pretty quiet until around 1345, when a 
>pattern of Australian big gun heterodynes 
>started showing up on 594, 702, 774, 792, 828 
>and 891 (plus a mystery DU heterodyne on 603). 
>None of them were very strong until about 1356, 
>when 594 broke into audio with music. Scrambling 
>around for an LR network parallel proved 
>fruitless, as 702 and 828 were in dives at the 
>moment. When 594Â sunk into the noise just after 
>1400 the carrier on 828 broke into weak audio, 
>again without any LR network parallel to check. 
>Finally 792 broke into fairly strong audio with 
>exotic music at 1407, almost certainly from 4RN 
>but (you guessed it) without 576 in audio to 
>confirm a parallel. 891 also had a strong 
>heterodyne around 1412 but finally sank into the 
>noise without reaching audio level. Although 
>there was a weak carrier on 1575, no Asian 
>station managed any audio at all during the 
>session. Obviously if the Australian signals 
>were strong enough to manage audio in this 
>"DU-dead zone," it must have been a fantastic 
>morning in Victoria. Â  594Â  (Probably 
>3WV)  Weak music at 1357 nulling to the SW 
>direction; no LR network // available for 
>confirmation 
>https://app.box.com/s/8jgpc3cmt4ts3ftzzsje0nh834a63j10 
>  Â  738  Radio Polynesie   Mahina, Tahiti 
>Â Â French speech dominating over KCBS splatter 
>at 1152; its best signal ever here 
>https://app.box.com/s/n57r87f4v3gsp09gcw1pztlcdfdoouug 
>Â  Â  792Â  (Probably 4RN)Â  Exotic music at 
>good strength at 1407, but no RN network // 
>available for confirmation 
>https://app.box.com/s/5rzom7sxu2xemqc44potk111h18uv3hy 
>Â  Â  73 and Good DX, Gary DeBock (in Puyallup, 
>WA, USA) 7.5" loopstick C.Crane Skywave 
>Ultralight + 15" FSL antenna   Â  Â  Â  Â 
>Â 
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>list are those of the original contributors and 
>do not necessarily reflect the opinion of the 
>IRCA, its editors, publishing staff, or officers 
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