Hi all, Just had a quick play through on the guitar to figure out the chord names. Here's what I reckon (based on Sue's chords from the jmdl guitar site):
NB: I use "b" for flat, and distinguish "add9" from "9". I've also put the chord spelling in brackets after the chord name in case there are any ambiguities. These chords are in the actual key of the recording (F) - hope you can transpose them down to the key of D OK. Intro: ------- x55040 = Bbm6add9 (1 b3 6 9) x22010 = Gmadd4 (1 b3 4) 000210 = Fadd4 (1 3 4 5) 000200 = F (1 3 5) 000000 = Fadd9 (1 3 5 9) Verse: ------- 999999 = Dadd9 (1 3 5 9) 777777 = Cadd9 (1 3 5 9) 999999 = Dadd9 (1 3 5 9) 000033 = F9(no 3rd) (1 5 7 9) 555555 = Bbadd9 (1 3 5 9) x44030 = Am7 (1 b3 5 7) x55040 = Bbm6add9 (1 b3 6 9) x22010 = Gmadd4 (1 b3 4) 000210 = Fadd4 (1 3 4 5) 000200 = F (1 3 5) 000000 = Fadd9 (1 3 5 9) Scat section: -------------- 444444 = Aadd9 (1 3 5 9) 222222 = Gadd9 (1 3 5 9) x55040 = Bbm6add9 (1 b3 6 9) x22010 = Gmadd4 (1 b3 4) 000210 = Fadd4 (1 3 4 5) 000200 = F (1 3 5) 000000 = Fadd9 (1 3 5 9) The Fadd4/F/Fadd9 sequence has some very subtle changes - not sure how to tackle this on the piano. It might work better to play Fsus4 to F (1 4 5 to 1 3 5) - the dissonance you get with the Fadd4 chord (3rd against the 4th) is nice, but you barely hear it in the original. Howard [EMAIL PROTECTED] wrote: > > Anyhoo, using "@" for "flat" (e.g., B@ means B-flat), and using "9" loosely > to mean "add 2" (so C9 could mean either C-D-E-G or C-E-G-D[octave]), here's > what I got: > > Intro: > > E@dim/D@... [EMAIL PROTECTED] [EMAIL PROTECTED]@9 > (repeat) > [EMAIL PROTECTED] > > [B@9] Funny day, looking for laughter and > > [A@9] finding it there > > [B@9] Sunny day, braiding wildflowers and > > [A@m] leaves in my > > [A@m7/D@] hair [-->A@m6/D@] > > [G@9] Picked up a pencil and > > [G@m9] wrote I love you > > [D@9] in my finest hand > > [G@m9] I wanted to send it, but I > > [E@dim(7)] don't know where I > > [D@9] stand [[EMAIL PROTECTED]@9]
