I'll weigh in on this one.  I think she's using the "Now" lead in for the 
two lines to run a small slide show to shorthand her serial monogamism.  She 
personalizes it well, offering herself as surf: effervescent and buoyant, 
able to lift and carry her lover (perhaps with celebrity and wealth?), then 
as the striated, drained footprint of withdrawal: her lover abandoned like a 
beached piece of carrion.

Chilling, and then some.

CC

"Or maybe it's you, Judas in the end.
When you just can no longer pretend
That you're getting what you need
Or, you're giving out anything for them to grow and feed on." -- JM
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