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From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, December 13, 2000 1:49 AM
Subject: [CubaNews] Spech of Ricardo Alarcon at the Dedication of the John Lennon
Statue


Dear John: You Were Always Among Us

Speech of Ricardo Alarcon at the December 8, 2000 dedication of the
statue of John Lennon in the park at 15 and 6 streets, Vedado,
Havana, Cuba

Translated by Cindy O'Hara,from the Spanish original in Juventud
Rebelde


Compa�eras y compa�eros:

Here, in front of the excellent work of art of  Jos� Villa, we return
to listen to what some said twenty years ago today: "About this man
you can believe anything except that he is dead. "

Nostalgia does not bring us together.  We are not inaugurating a
monument to the past, nor a site to commemorate something that
disappeared.

This place will always be a testimonial to struggle, a summoning to
humanism. It will also be a permanent homage to a generation that
wanted to transform the world, and to the rebellious spirit,
innovative, of the artist who helped forge that generation and at the
same time is one of its most authentic symbols.

The sixties were much more than a period in a century that is
ending.  Before anything else, they were a attitude toward life, that
profoundly affected the culture, the society and politics, and
crossed all borders.  Their renewing impulse rose up, victorious,
overwhelming the decade, but it had been born before that time and
has not stopped even up to today.

To these years we turn our sights with the tenderness of first love,
with the loyalty that guards all combatants for their earliest and
most distant battle.  Some still denigrate them, with obstinate
antagonism, those who know that to kill history they must first tear
out its most luminous and hopeful moment.

This is how it is, and has always been in favor of or against "the
sixties."

In that time old imperial colonies fell, people previously ignored
arose and their art, their literature, their ideas started to
penetrate the opulent nations.  The Third World was born and
tricontinental solidarity, and some discovered that there, in the
rich north, existed another Third World that also awakened.

In the United States, a century after the Civil War, black people
fought for the right to be treated as persons and with them marched
many white students.  In Europe the young people repudiated imperial
violence and identified themselves with the condemned of the earth.
Nobody spoke yet of globalization but, for everyone, the Earth got
smaller, the whole world became closer.

Then, finally liberated, appeared Cuba, truly discovered in 1959 as
an inseparable part, fully pledged to liberty, life and truth.

Victory seemed immediate.  To obtain it, people strived without
rest.  In mountains and cities, with stones and fists, with weapons
snatched from the oppressors and also with speeches, poems and
songs.  They tried to assault the sky, to conquer, in a single act,
all justice, for the black and the woman, for the worker and the
poor, for the sick, the ignorant, and the marginalized.  They
believed they could arrive at a horizon of peace between nations and
equality among men.

It was more than anything the rebellion of the youth.  Before their
impetus fell dogmas and fetishes, they broke the molds of pharisee
and banality, they turned back the dull mediocrity of an unjust and
false society that reduces man to merchandise and converts everything
into false gold.

Years afterward, and affirming the continuity of the movement, Lennon
described it with these words:   "The Sixties saw a revolution among
the youth . . . a complete revolution in the mode of thinking.  The
young people took it up first, and the following generation
afterwards.  The Beatles were a part of the revolution.  We were all
in that boat in the sixties.  Our generation -- a boat that went to
discover the New World.  And the Beatles were the lookouts on that
boat.  We were a part of it."

Tumultuous was the passage from that memorable concert in 1963 when
Lennon asked the people who occupied the most expensive theater seats
to, instead of applauding,  just rattle their jewels, to six
Novembers later when he returned the Order of the British Empire in
protest of the aggression in Vietnam and the colonialist intervention
in Africa.  The refusal to perform before an exclusively white public
in Florida, in 1966; the refusal to perform in the South Africa of
apartheid; the denunciation of racism in the United States when he
arrived there to participate in concerts that had been boycotted by
the Ku Klux Klan; the calls for peace in the Middle East; the support
for young people who deserted the Yankee aggressor army and the
constant support to the Vietnamese resistance and the struggle of the
Irish people; the incessant search for new forms of expression,
without ever abandoning the roots and authentic language of the
people; the repudiation of the bourgeois system, its codes and
merchandizing mechanisms; the creation of a corporation to combat
them and defend artistic liberty, an entity to which was attributed,
even, a certain communist inspiration.

The personal contribution of John Lennon stood out singularly and
endured beyond the dissolution of the group.  His songs form the most
complete inventory of the collective struggle of the young people for
peace, revolution, popular power, the emancipation of the working
class and of women, the rights of indigenous peoples and racial
equality as well as the liberation of Angela Davis and John Sinclair
and other political prisoners, the denunciation of the massacre at
Attica and the situation in North American prisons, in an
interminable list.  Beyond the music, in interviews and public
statements, he openly expressed his identification with the socialist
ideal.

Lennon was the object of intense and obstinate persecution by the
Yankee authorities.  The FBI, the CIA and the Immigration Service,
instigated directly by Richard Nixon, the trickiest tenant the White
House has ever had, spied on him and harassed him and strived to
expel him from the United States. In spite of what their laws say and
the countless measures carried out during a quarter of a century,
these agencies still maintain in secret the documents proving the
tenacious harassment they unleashed against him.  The little that
they have revealed shows that in just one year, between 1971 and
1972, the secret informants of their spies accumulated 300 pages and
a file that weighs 26 pounds.  With no other weapons than his talent
and the solidarity of lots of North Americans, he was forced to
confront for several years the powerful Empire led by the most sordid
and arrogant political machine.   This chapter will remain in history
as an example of moral force and the force of ideas, and from it
Lennon emerged as a paradigm of the entirely free and creative
intellectual, precisely engaged with his time.

Dear John.

It was more that a few who said, twenty years ago, that that 8th of
December was the end of an era.   Many feared it among the millions
who offered you ten minutes of silence and the multitude that on the
14th congregated in Central Park in New York to express a pain that
time does not placate.

It was Yoko who then advised: "the message should not end."  And
little Sean, knew how to express the greater truth: He imagined you
bigger, after death, "because now you are everywhere."

You were always among us.  Now, in addition, we offer you this bench
where you can rest and this park to receive your compa�eros and
friends.

Your message could not disappear because love had, and still has,
many battles to fight.  Because you had the privilege to hear it in
millions of voices that became yours and continued raising it up like
a hymn.

Wasn't it a yellow submarine that surfaced that afternoon in 1966 in
the port of New York and marched at the front of thousands of young
people who condemned the war? How many hundreds of thousands demanded
that peace be given a chance, and were in solidarity with the people
of Vietnam, there in Washington, in front of the monument, that
unforgettable November 15th in 1969?  On that day, didn't your art
reach its highest realization?  How many times did it not multiply
from Berkeley to New England and from one continent to another, that
generation that believed that love could prevail over war?  John, I
am sure that you remember the martyrs of Kent State University who
wanted to follow you, to also be working class heroes.  It is known
that it was your verses that were their only shield in front of the
bullets of Nixon.

There were more, many more, that met to celebrate the twentieth
anniversary of Imagine, in 1991, when others said that the story had
already ended.  Some believe that you appeared in a window of the
Dakota.  All of us, you too, were happy.  We saw, astonished, the
faces of old comrades, confounded to be among countless young people
who had not even been born when you, over there in Liverpool, intoned
ballads of love with proletarian words and we here defied the
monster.

Our boat will continue sailing.  Nothing will stop it.  It is driven
by "a wind that never dies."   They will call us dreamers but our
ranks will grow.  We will defend the vanquished dream and struggle to
make real all dreams.   Neither storms nor pirates will hold us
back.  We will sail on until we reach the new world that we will know
how to build.

We will meet again, tonight, at the concert.  We will go on together,
always.

___________________________________________________________


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