In Australia, washing of any craft item before exhibiting in the local shows
(or Fair) is strictly forbidden - part of the skill being judged is deemed to
be whether you can keep your work clean!!

So I'd be asking whether it's OK to wash it before you plunge it into the
soapsuds!!!!

Ruth Budge (Sydney, Australia)

"Tamara P. Duvall" <[EMAIL PROTECTED]> wrote: On Jan 10, 2004, at 23:38,
[EMAIL PROTECTED] (JoAnne) wrote:

> Once I am done, what is the BEST way to finish a project?

Ther's no single way; depends on th project.

> I also want to enter this in the Iowa State Fair next summer, so does 
> anyone know, can I frame it, or do are there rules that the judges 
> have to be able to pick up a piece and
> look at the back of it?

That varies from Fair to Fair (state, county, locality). Iowa State 
Fair might have a website; check and see if they have a contact person 
for Arts and Crafts (or whatever they may call it. Sometimes it's 
something like "home crafts"). Ask them what their rules are. If they 
don't *forbid* it, go ahead and frame it. Judges may *like* to handle a 
piece and look at the wrong side of if, but a piece tends to look 
better if mounted, and you can hide a multitude of sins in the process.

> If I can frame it, should I have the piece attached to
> the material, or would it be better to let the framer do that?

Never trust anyone other than yourself when mounting a piece of lace :) 
*Definitely not* a framer who may know everything about framing, but 
zero about textiles.

> Can I have glass in the frame?

Again, depends on the rules of the individual organisation that mounts 
the competition; ask them. In Virginia, there's no rule against glass, 
and we've never discriminated against pieces which were framed and 
glassed over. But I don't like glass, either as a judge, or as a 
lacemaker. It might be OK for antique/fragile lace which needs to be 
protected against handling at all costs, but, IMO, glass detracts from 
the overall look of textiles. Not only does it provide a visual barrier 
(cheap glass reflects light and makes viewing more difficult), but it 
gives a "hard edge" to textiles which shouldn't have any.

> My thoughts were to wash it, block it, and then stretch dark blue or 
> black silk on a frame, and stitch the lace to that. Then I would take 
> it to the framer and let them do the rest.

*Almost* exactly so. But, after you've washed and blocked it but 
*before* you've mounted it on fabric, go to your framer and choose the 
frame style and size. That's because different frames have different 
"lip" depths, and will cover a different amount of your background 
fabric. You don't want to go to all the trouble of mounting only to 
discover that the frame comes too close to your object (lace), leaving 
no "breathing" margin around it. When that happens, the lace will look 
"crowded in"

Take your chosen fabric -- uncut -- with you; that will allow you to 
see what colour frame will look best with it. With luck, it will also 
let you see how big the frame needs to be; ready made frames often come 
with a piece of cardboard which fits the frame precisely (so that you 
can do your own framing). Drape your fabric over the cardboard, lay 
your lace on the fabric, push the cardboard into the frame and see if 
it "sings" to you. If not, identify what's wrong and try another frame.

Even if you choose a frame that has to be specially cut and fitted (so 
have only a small corner piece to play around with when choosing), you 
can get an idea of how much of the background fabric will be covered by 
it (ie how much bigger it needs to be to show the lace *and* some 
margin of fabric around it).

PS If you *do* go for a glassed in version of the frame, at least make 
sure that the framer doesn't seal the whole thing with paper in the 
back. The paper lets *some* moisture in and out, but not readily; 
you're running the risk of condensation and eventual deterioration of 
the textile. Un-sealed "picture" will have slight cracks between the 
backing and the frame, which will allow for freer air-circulation.

-----
Tamara P Duvall
Lexington, Virginia, USA
Formerly of Warsaw, Poland
http://lorien.emufarm.org/~tpd/

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