Hallo Tamara and all spiders,
Reference which bobbins to use for Milanese, I have only made two pieces of
Milanese to date and have used my usual Midlands spangled bobbins with no
trouble at all.  The second piece I have just finished ( the peacock from
New Braids and Designs in Milanese Lace by Read/Kinkaid ) I am very pleased
to say that I won the competition cup on Saturday at the Norfolk Lacemakers
Laceday, I was so pleased so please excuse the brag.
Sue M Harvey
Norfolk UK
where the sun is shining but it is still quite cold.

From: "Tamara P. Duvall" <[EMAIL PROTECTED]>
To: "lace Arachne" <lace@arachne.com>
Sent: Tuesday, March 08, 2005 2:47 AM
Subject: [lace] Re: Bobbins for Milanese


> On Mar 7, 2005, at 16:51, Mary Robi wrote:
>
> > I'm about to start learning Milanese (I hope some day to do Tamara's
> > swan.)
>
> Flattered, thanks.
>
> > I'm wondering which bobbins to use. I want a smooth bobbin and have
> > been looking at rosaline bobbins? They look great for sewings, but are
> > they too heavy for milanese? I've also looked at swiss bobbins. Are
> > they too light for milanese?
>
> Unless you're planning to work on a bolster pillow, the weight of the
> bobbins doesn't matter much. On a flat pillow or even a slightly domed
> cookie, the bobbins are supported by the pillow, so they don't put
> stress on the thread, even if they're heavy. You do the tensionsioning,
> not the gravity.
>
> As for bobbins being too light... If you've always worked with
> Midlands, any unspangled bobbin is likely to feel a bit "funny" at
> first. But you get used to it fairly quickly, though I admit that I
> prefer the slightly heavier ones to the lighter ones (one of the
> reasons I designed my own).
>
> Whether you'll get used to the rolling quality of the so-called
> "Continental" bobbins is something else. I never did learn how to
> control more than 2-3 pairs of those with any degree of comfort, which
> is another reason I have mine made to order (squares).
>
> I think, more than the weight of the bobbin I'd consider its
> construction. As Claire pointed out, Milanese can be done with spangled
> bobbins. It *is* done with Midlands by Pat Read, who is, probably, the
> final authority on present day Milanese. Personally, I found making
> sewings with spangled bobbins totally frustrating (even before I came
> to Milanese and finer threads), which is when I started re-inventing
> this particular wheel (my first "frequent tie-rs" had round bodies, not
> square ones, which is how I know I have problems with rolling bobbins.
> I may yet use them again, if I ever get myself a bolster pillow, where
> rolling's not as much of a problem).
>
> And Milanese lace can be made with bobbins which have a single head.
> Again, I found working with single-headed bobbins more trouble than it
> was worth; I like to be able to *see* that my double hitch is all
> present and correct. And, with frequent sewings, when there's little or
> no tension on the thread, half of the hitch likes to slip once in a
> while. And lengthening/shortening is easier if the hitch is separate
> from the rest. True, you can wind your thread further down on the neck
> and hitch close to the head, but... I definitely prefer a double head
> (such as in the Swiss bobbins).
>
> > How about the "new international squares"?
>
> If you mean the ones on Holly Van Sciver's webpage, they'd be fine.
> They may be a bit on the light side - the neck is very long, which
> means a lot of weight has been removed from the bobbin right there, and
> then there's been another big gob removed from the "waist" of it. But
> they're made of pear wood, which is dense, very pleasant to handle, and
> gets smoother with use (unlike some woods which respond to the sweat in
> my hands with raised grain). Also, they *do* have a double head and
> they're very reasonably priced :)
>
> I have a small set - 9 pairs - of an earlier version of those and it
> seems to me that, in comparison to the photo on the website, the head
> has been improved a bit (sharper definition). But even with the old
> head, they'd been very nice to work with, even with thicker threads (I
> used to use them for Russian Tape, since I only had 9 prs and dislike
> working with mixed weights/shapes). If you'd like, you can have them -
> free, since I got them free myself and no longer use them. Then, all
> you'd need is 2 dozen from Holly and you're all set for most Milanese
> projects - even the Swan, which, at one point, uses 23 pairs all at
> once... :)
>
> -- 
> Tamara P Duvall                            http://t-n-lace.net/
> Lexington, Virginia, USA     (Formerly of Warsaw, Poland)
>
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