In a message dated 7/1/2005 1:40:14 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Devon  might know, and I hope she'll 
pitch in with her insights. 
I hate this sort of thing, because I always make an idiot of myself and  
almost immediately upon writing something down, discover it is all wrong.  
However, since I have been putting together my class in lace history for the  
convention, I have numerous pictures to consult. 
 
Here is my cracked opinion. This very much resembles a piece of point de  
France that I recently bought on ebay. My piece consists of small motifs, which 
 
I think might be quite old, possibly late 17th or early 18th century. My piece 
 is in the form of some costume piece that might be 19th century in shape, 
some  kind of a dress front. Although my piece looks symmetrical from a 
distance,  close examination reveals that this is an illusion and that tiny 
motifs 
have  been somewhat illogically put together to form this impression. I think 
the 
 small motifs were put together very skillfully in the 19th century by 
connecting  them with a roughly hexagonal picoted mesh. It was not unusual in 
the 
19th  century to do this sort of massive reconnecting of motifs and as they 
say, 
it is  quite unusual to find Venetian gros point to which this has not 
occurred. On my  piece which Susan has very kindly posted on the Campaign for 
Modern 
Lace site so  that I can show it to you, you can see what looks to me like a 
thread that is  running between the joining bars. (I scanned the back) 
_http://community.webshots.com/album/244348757BRJzVK_ 
(http://community.webshots.com/album/244348757BRJzVK)  Do  view it full size to 
see all the random threads 
running around. Of  course, I don't know if I would know what a piece of point 
de France that had  not been "reconstituted" would look like. There is so much 
mending on lace, done  by different menders during different eras that you 
begin to wonder if you would  know what a genuinely untampered with old piece 
would look like. The Venetian  laces were undoubtedly made in individual flower 
heads by different people and  then joined. What did the joining look like? I 
don't know that I have ever seen  a piece that I know hasn't been "messed 
with". 
In any case, the last three shots of the ebay lace are shots from the back  
which show a lot of "work" around the motifs. But, of course, I haven't had the 
 opportunity to examine the piece being offered on ebay closely, and even if 
I  did, as we often say, "the more lace you see, the less you know."
 
I looked at my piece of point de France, some images I have from the museum  
and some pieces I have on loan and I did not see the characteristic that some 
of  these motifs on the piece offered on ebay have of a line of buttonhole  
stitch covered loops. I have seen this on Italian laces, such as point de 
neige. 
 Of course all these Italian laces were being very skillfully copied in the 
19th  century (although they were copied earlier by the French when they 
started up  their Point de France industry, talk about confusing), so whether 
the 
individual  motifs are genuinely old, or even made during the lace revival when 
spectacular  copies were being made is open to question. It may even be a 
hodge podge of new  and old motifs. I notice that a lot of evils in 
reconstituted 
laces seem to be  covered by showy three-dimensional concoctions. On my lace, 
I believe that the  little buttonhole covered circles, or perlees may be 19th 
century devices. In  fact under extreme magnification, it appears that the 
thread is a little larger,  a little whiter and a little fluffier than the 
thread 
in the little motifs.  (The biggest problem with comparing the ebay lace with 
mine, is that the  ebay lace actually does look more planned than mine.) 
The tendency of the ladies of the late 19th and early twentieth century to  
want to wear "real lace" but as 19th century fashion items is something I cover 
 in my slide show "The Laces of the Robber Barons" which is being given on 
July  30th at the IOLI convention as part of the "Early Bird" festivities.
 
Devon
working feverishly to put together my class in lace history for the  
convention, although as you might guess, the theme is "you never  know".

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