While I have a cookie pillow that I bought a few years ago, I make my
lace almost exclusively on a bolster.  Part of that is because every
piece of lace I've made longer than a sample has ended up a hankie that
was given away.  I also don't work modern lace pieces that much since my
interest is in historical lace for the SCA. When I'm working "palms up"
(which I do even when working on my cookie), I take two bobbins in each
hand and kind of toss between the two hands to do crosses.  After every
cross I also tend to tension my bobbins by tugging at each bobbin with my
fingers.  It's hard to explain and really easy to do. Orla

  -------- Original Message --------
  Subject: [lace] Fwd: more about - bolsters
  From: Alice Howell <[EMAIL PROTECTED]>
  Date: Fri, May 19, 2006 10:41 am
  To: [email protected]

  I received this message, and thought it should go to
  the whole group.  There are many of you more
  experienced with bolsters than I am.
  Alice in Oregon

  > Maybe by now our new lacemaker has tuned out, or
  > will read your warning and leave bolsters for
  > another day.  Meanwhile, for someone like me,
  > perhaps you and others might be willing to explore
  > lacemaking on bolster pillows a bit further?
  >
  > I'm about to begin a project on one.  I've never
  > seen anyone else make lace on a bolster, and it
  > **is** a challenge.  Can you or anyone else describe
  > more about the palms up method (I know about it, but
  > can't begin to imagine how to do it).  Other hints?

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