In a message dated 2/18/2008 7:16:41 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

I also  use the plastic pockets religiously, but mainly with 
cross-stitch and  petit point when the pattern could be as much as 25 
pages large. I keep  them all together in one pocket with the thread 
colour chart on top. That  way I can see at a glance which colour I am 
using. The actual page I am  working on is on my desk with the 
highlighter pen beside it of  course.



For David and others trying to keep their place when using stitching  charts, 
I nominate a colored pencil:
 
If the chart is not colored, and has just symbols - I use a colored pencil  
(erasable) to color in the most dominant color in the area being worked.   That 
way, all the zigs, zags and openings made by that color can be  seen.  It 
makes it easier to see to fill in the stitches in other  colors, or if a 
counting 
error has occurred.  I do not prestitch this  dominant area, as it would 
result in puckers in embroidery and difficulty  fitting in the other colors.  I 
stitch the rows in order, starting in  center row and all below it, then turn 
stretcher and chart and work all the  rows in top half.  I don't use 
highlighter 
pens near needlework.   Accidents happen!  
 
I embroider at a table and sit in a straight chair as the professionals do,  
with embroidery fabric attached to a stretcher to fit the whole  piece.  No 
hoop for me!  If petit point silk gauze is the ground  fabric - extremely 
expensive when of best quality from Switzerland - I  cut the gauze a little 
larger 
than the embroidery will be, and use sewing  machine to zig-zag that gauze onto 
the center a very firmly woven fabric  (like raincoat fabric), then cut a 
window opening in the under fabric  (so it looks like a window screen).  This 
larger firmer fabric is what  is tacked or stapled to the stretcher.  If you 
make 
miniatures,  this will result in a flat rug or other furnishing for your 
rooms.  This  method works for petit point jewelry, as well.
 
Hope some of you have seen exquisite work that combines petit point and  
lace.  It is the sort of thing you rarely see today.
 
Jeri  Ames
Lace and Embroidery Resource Center



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