In a message dated 3/15/2008 5:26:43 A.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:

I  visited the needle museum in Redditch,
Worcestershire. The museum was a  working needle factory until 1958. What an
enlightenment. I'll never look  at needles in the same way again! (Those who
sharpened the needles got paid  what seems a massive guinea per week (£1.05
GBP) in the 1860's, but had a  life expectancy of about 30 years - they used
to
cough up lumps of stone  dust from the grinding machine, and objected to the
introduction of face  masks because the improved safety might lead to a
reduction in their  wages.)

---------------------------
Dear Lacemakers,

Kept Viv's note to see what comments would ensue.  A month later, I  will
share:

There is a book which collectors of needlework tools may like to know  about,
covering pins, needles, thimbles, shears and scissors, findings -  notions,
accessories, and artifacts of textile production (spinning and weaving
equipment, lace bobbins, thread winders, spools, needlework clamps, quilt
stamps,
stilettos, knitting accessories, and so forth).

"Findings - the Material Culture of Needlework and Sewing"
By Mary C. Beaudry
Yale University Press (yalebooks.com)
ISBN 0-300-11093-6
Hardback, 237 pages, cover price $55, 2006

The author is a professor of archaeology and anthropology at Boston
University, so writes from a different perspective than books we've enjoyed
from
collectors (such as Nerylla Taunton, Gay Ann Rogers, and Kay Sullivan).

She writes more details about the men referenced by Viv at the beginning of
this message.  At its peak, Redditch supplied 90 per cent of the world  market
for needles.  Women, and children as young as 3 years old, worked on  some
steps of needle manufacturing.

I found some interesting information in the 8 pages devoted to lace and  lace
tools.  Here is one that is perhaps open to debate:   "Contemporary
commentators compared Honiton lace favorably with that produced in  Antwerp
and
Flanders, and in the 17th century Honiton lace sold for 4 times as  much as
Buckinghamshire lace, so it was recognizably different from lace made in  the
Midlands."

This book has no color illustrations, and few black and white ones.   It is
costly, and I recommend ordering from InterLibrary Loan if the  subject is of
interest to you.

Jeri  Ames
Lace and Embroidery Resource Center



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