Nancy
Your question is really interesting.  I share a desire to learn how to design
those laces, but I think I know the answer to "how to learn it".  You just
have to learn to make it, make a lot of it.  In the case of Flanders look at
recent books which teach Flanders basics.  Most of the authors design their
own patterns, at least to some extent.  And you can see how they use modern
ideas about gracefulness, shapes of curves, shapes of flowers and leaves, and
then translate that into patterns.  Then try constructing a lace by combining
elements from different patterns into one piece.  Take a straight lace and try
to invent a corner.

Having said all this, I certainly don't claim that i can design those forms: I
can't, I don't know enough yet.  But it is a goal.  And that is basically how
I learned to design torchon.  I took the patterns in Doris Southard's book and
dotted them on different sizes of graph paper.  (I realize this sounds silly
to those whose lives started AFTER photocopy machines became common and
computers were everywhere.  But there was a time in living memory when those
aids still didn't exist.)  In the process of doing that copying I arrived at
an understanding of why the pinholes were spaced as they were.

Mary Niven's book has some Flanders ground grids empty of motifs, in the back
of her book.

Lorelei

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