If you plan to visit Normandy, or are a member of the Society for  Creative 
Anachronism,  

A most inspiring designer and book author is Jan Messent, of  England -- 
you can Google her.
 
She has written many books.  On the embroidery side of my library are  12 
books by her.  One may be of particular interest to those  lacemakers 
planning to go to the OIDFA Congress in Normandy in  2012.
 
It is "The Bayeux Tapestry Embroiderers' Story" published in 1999 by  
Madeira Threads Ltd., 0-951-634852, soft cover.
 
I saw it in a large Borders bookstore here in Maine, just last week.   So, 
it may be quite available, as well as being available as a used book.
 
What I love (and there are 6 books on the Bayeux Tapestry in my library) is 
 that this book is written by a woman who often writes about needlework 
history  and designs/stitches many unique things made with thread.  It was not  
written by some stuffy academic at a major university
 
Like so many lace contradictions, there is one with the tapestry.  It  is 
not made in a tapestry technique. 
 
It was embroidered not long after 1066, on woven linen fabric, which was  
cut into sections in order to be more easily handled in the embroidery  
phase.  Then, it was assembled into one long wall hanging that told a story  to 
illiterate people of the time.  The yarn is what we now call  worsted.  Jan 
even explains S and Z twist as it relates to the  tapestry.  The colors are 
limited, but effective.
 
Jan put her many skills to work designing what she imagined to be the  lost 
final 8 foot length.  She explains living conditions at the  time of 1066, 
stitching conditions, the convents where the embroidery probably  was done, 
etc.  The entire tapestry is illustrated and explained in the  book.  And I 
think I read somewhere that Jan's imagined final panel is  now shown in 
Normandy.   

 
Jeri Ames in  Maine USA
Lace and Embroidery Resource  Center

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