Dear All

Sue (Babbs) has kindly posted a picture of the demonstration piece I
described earlier, as a few people had asked about it; it seems you have to be
in the US to post to Flickr for some security reason... However, even in the
UK 
http://www.flickr.com/photos/lacemaker/11692789313/ gets me to it.

I've
tended to give up making new year resolutions which are unlikely to last into
February, but do take the opportunity to get something started.  I've been
occupied for some time on a reworking of Mrs Millar's handkerchief, a floral
Beds design, but having completed a side, corner and half the next side, it
became clear that the corner really didn't work (looked awful) so last week
got it off the pillow and prepared to redraft it yet again, and have started a
Bucks edging I have meant to do for some considerable time.  I used to attend
Mrs Carter's weekends at the Springetts'.  She "suggested" I would like to
make the lace for a jabot - a yard/metre of narrow edging to be mounted
zig-zag up a square of cloth, covering it, for a man's cravat-style jabot.  It
needed a neat beginning, designed under her guidance, but part way through, I
dared to suggest that if I did use it as intended, it might be worn once or
twice at lace events, but that is all,
 while two half yard lengths could be used as frills down the front of a dress
shirt, and would get more use.  The first half was completed, it must be
before 2006, and I have just got round to starting the second side, finishing
the top width while listening to the New Year's concert from Vienna.  The
pattern draft is on p 91 of Pamela Nottingham's Technique of Bucks Point Lace,
bottom right hand corner.  Despite being headed "for black" I'm using white
cotton.  I've decided to try working without using the odd diagrams worked out
under Mrs Carter's guidance (mainly for gimp paths), but use just the pricking
and the first length.  In that, I tried out different things on different
repeats, so this time I can aim for the ones that looked best.  I suspect this
is closer to how the original worker would have proceeded, possibly having a
sample of a pattern new to him or her, but in general, learning from
experience.  I may resort to pencil and
 paper, but hope not!  Even at this stage, I've realised that a very small
enclosed area of ground between leaves or whatever, of just 2 or 3 pins, will
always look messy if you use point ground, and honeycomb comes out much
better, and the inconsistency noices less than the mess!  It's good that
experience over the years in other patterns can be used here.  And it's nice
getting back to the unspangled S Bucks bobbins for Bucks - I find they work
much better for me; I use a lighter tension than when working Beds using
spangled bobbins, which helps.

Has anyone else set up a 2014 project?

With
best wishes for a happy New Year


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