RSN = Royal School of Needlework, located at Hampton Court Palace,  England.
There is an article in the August/September 2016 magazine  "Stitch", 
published in England by The Embroiderers' Guild for sale to the public  
at some local U.S.-located Barnes & Noble book stores)  -- about a school 
supported by the Wemyss Clan/family, near Fife  Scotland, that has been in 
operation since 1877.  The founding of this  small school that prepared up to 
36 local girls per 6-month session for a  vocation, was inspired by the 
Royal School of Needlework's founding in  1872.  
The RSN has always taught needle lace as a part of their curriculum, so I  
was interested to see what this very small long-lasting school offers.  It  
now is mainly individual crewel embroidery workshops, with some  Goldwork 
and other specialty subjects.  Wemyss Castle, and this  separate free-standing 
school on the Main Street of  Coaltown-of-Wemyss (open 3 days per week), 
are possible destinations for  anyone traveling in Scotland.  The website says 
they  welcome groups - by reservation, as well as individuals.
Why am I writing to lacemakers about Goldwork embroidery?   Because of the 
variety of metal threads for special effects in both  lace and embroidery.  
Since lace and embroidery have traveled together on magnificent  textiles 
through the centuries, they benefit from being thought about  together.  The 
relationship between Goldwork embroidery and gold lace,  is reflected in 
some of the thousands of needlework books in my  private library.  
Embroiderers' Guilds around the world have long offered classes  using 
metal and metallic threads.  Their teachers are a good resource  for locating 
gold threads in various nations.  Anyone interested in making  gold lace might 
like to try a small kit intended for Goldwork embroiderers,  since the 
materials in quantity are expensive.  
An introductory kit prepared by a RSN teacher/book author, Helen  McCook, 
is available from Wemyss.  It would provide exposure to  using the threads 
and methods that embroiderers use, especially if you would  like to learn to 
combine the two skills in an item like the Layton  Jacket at the Victoria and 
Albert Museum.  This jacket was  reproduced at Plimoth Plantation in 
Massachusetts, and has been displayed  in the U.S. in recent years.  Mostly 
embroidery on linen, you  will see couched gold thread and gold spangles on 
the surface of the  fabric.  Our member, Devon, made some of the gold 
bobbin lace on this  jacket.  
Thus, my suggestion to those of you who favor making metal laces.   You'll 
find ample opportunities to explore gold embroidery in many nations, and  
you can become an ambassador for gold laces to members of any Goldwork  
stitching classes you take.  Please bring favorite photos of some  of the 
gold wire laces to such a class.  You may recruit new  lacemakers, if you 
share one of the very best:
Christmas Shopping for a friend who "has everything"?  Check  out the shop 
Has this information been interesting to you?  If you do not write a  
response, we do not know!  
Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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