Jeri brings up another example, that of Louisa and Rosa Tebbs, and Nenia
Lovesey, that shows a linkage between the early 20th century lace boom and the
one in the 1970s. My sense is that there were just enough people left over
from the early 20th century lace enterprises to seed the 1970s lace revival.
Earlier someone mentioned the Winslow industries. In Denmark, according to the
book Pomp & Poetry, there was a Weaving Workshop that was established in the
early Twentieth Century, which included lacemaking.

The article by Andrea Plum, which is very short and not oriented toward lace,
does not mention this as a factor. But, it has come out in a number of these
personal reminiscences. That there actually was a large pool of people who had
learned lacemaking as part of largely unsuccessful profit making enterprises
in the early 20th century is an interesting thing.
When the Burano lace industry was started after the bad winter of 1872, they
had to locate an old woman who had made lace earlier in her life when it was
still a viable craft. This was the elderly, illiterate Cencia Scarpariola.

Is it a pattern? Just when it looks like it is dying out it is rediscovered?


Devon

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