In a message dated 21/08/2008 23:45:49 GMT Standard Time,  
[EMAIL PROTECTED] writes:

Mary  Peak's book refers to the pattern in "Lavori a Fuselli, edizioni "Mani 
di  Fata".  This seems to be a special edition giving the basics of bobbin  
lace, the front cover has a picture of a Cantu-type edging on a  small bolster 
being worked, interestingly with the pin holes pre pricked, and  the back cover 
has a cantu edging , just stems and tendrills, no flowers,  mounted on an 
embroidered cloth.  As ever, instructions or prickings for  these are not 
included in the pattern sheet.  I do not know how old the  magazine is, but 
have a 
copy priced at lire 180 - and it's many decades since  lire 180 was worth 
anything!  It passed through the hands of Alec Tiranti  Ltd Fine art 
booksellers of 
72 Charlotte Street, London W1 with a price of  3/6, ie 17.5p new UK money, so 
not this  century!
[EMAIL PROTECTED]


I have had a copy of this for many years, but I never considered it to  be a 
magazine, just a book in magazine format. My copy is priced at L.1500 (so  is 
presumably later than Leonard's) bought from the Art Needlework Shop in  
Oxford. The Art Needlework shop was a strange place - when I first  knew it 
they 
would never sell you a pattern unless you also bought the  materials, but they 
did display in their window a knitted lace table cloth I  made when I was 
eleven (long before I knew anything about bobbin lace!)
This conversation on Cantu has prompted me to take another look at the  piece 
I started with a traditional lacemaker while demonstrating in  Novedrate 
(close to Cantu) in 1998. Great fun; I spoke no Italian, my tutor no  English 
and 
I didn't really have time to master even basic techniques before my  return 
home with a part-worked sample still on the pricking, but I did later  manage 
to 
produce a few tendrils and even, with the help of Mary Peek's  booklet, some 
buds and spurs. 
 
Cantu lace is still made commercially and I think there is a  reluctance to 
put information about 'commercial' patterns into print -  as I discovered when 
I tried, unsuccessfully, to find Polish patterns  for a new student
Gil Dye in a surprisingly sunny  Northumberland

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