What Bev said. I have heard (and call it myself) a ricochet crossing, as the
pairs essentially hit and bounce off each other rather than pass through as
in the windmill. I use the C-T-T-C *all* the time in plaited lace, as I tend
to do the Renaissance age plaited laces.

Chris, aka Kyrstyan - waiting anxiously for the tomatoes to finish ripening
before something eats them!!

>
> Date: Sat, 10 Sep 2011 20:33:16 -0700 (PDT)
> From: Jennifer McNitt <[email protected]>
> Subject: [lace] windmill crossing /w 2 colors question
>
> I'm working through a plaited lace pattern where I'm attempting two use two
> colors as a part of the design.  For this part of the design, I'm using 4
> bobbins of one color and 4 of another and I'm using standard windmill
> crossings at intersections.  What I'm finding though is that after the 4
> pairs
> go through the crossing, where the two colors end up is not always where I
> would like them to be.   There are times though where I would like the
> colors
> end up on the other side of where they normally would be after the
> crossing.
> Is there a way to force a flip of the colors that you would get from a
> standard windmill?   Let me know if you need additional clarification.
> Thanks!
>
> Jen
>
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> ------------------------------
>
> Date: Sat, 10 Sep 2011 21:35:53 -0700
> From: bev walker <[email protected]>
> Subject: Re: [lace] windmill crossing /w 2 colors question
>
> It sounds like you will have to fudge the pairs into the direction you
> want. There is turn stitch, C, T, T, C which with two pairs of
> different colours connects the pairs but they do not change places.
> That might be suitable to do instead of the windmill crossing, if you
> treat each pair of bobbins as a single bobbin. Put a pin between the
> two twists of the CTTC if it helps with tension.
>
> On 9/10/11, Jennifer McNitt <[email protected]> wrote:
> > Is there a way to force a flip of the colors that you would get from a
> > standard windmill?
>
>
> - --
> Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west
> coast of Canada
>
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>
> ------------------------------
>
> Date: Sun, 11 Sep 2011 08:17:18 +0100
> From: "Jean Nathan" <[email protected]>
> Subject: [lace] Thread conundrum
>
> Peg wrote:
>
> <Could someone please
> point me to a chart of how threads compare? I had a chart
> at one time, but
> it has disappeared.>
>
> The best thread chart is the book produced by our own Brenda Paternoster,
> available direct from her:
>
> Threads for Lace, Edition 5 by Brenda Paternoster
>
> http://paternoster.orpheusweb.co.uk/threads/threads.html
>
> or from Holly Van Sciver in the US:
>
> http://www.vansciverbobbinlace.com/1Books.html#BobbinLaceManuals
>
> Brenda adds appendices to each edition on her web page as new threads come
> to light.
>
> Personally I couldn't manage without it. A good example occurred recently
> when I was going to demonstrated and decided on a simple piece - a torchon
> purse pendant from Susane Thompson's book of the same name. Hadn't got the
> thread stated in the pattern, so looked it up in the book and routed around
> in my stash until I found an equivalent. Without the book I'd have been
> stumped because it was quite a thick thread by lacemaking standards.
>
> Jean in Poole, Dorset, UK
>
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>
> ------------------------------
>
> End of lace-digest V2010 #445
> *****************************
>
>


-- 
Always proactively untwist octagonal hippopotomus pants.
Ozy & Millie http://www.ozyandmillie.net/2000/om20000809.html

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