Dear Lyn
 
My "demo" piece is a tablecloth in Russian tape, 18/3 linen, so I
continually need to replenish bobbins.  I've found that in this very thick
thread, the bump from exchanging a passive and worker is annoyingly visible. 
Usually it's a worker that needs changing, so I just knot on a fully-wound
bobbin to the end, and the use another fully wound bobbin, thread secured on a
pin,  with it, just before the knot, for one row only; that line of weaving
has three wefts instead of two, and it really does not show.  Continue with
the second bobbin, throw out the first, to be used to replace the next worker
that runs out.  Provided I don't cut the ends until I'm well past the change,
it is very secure.  The passives are obviously done the same - run an extra
new thread by the old one for a few rows, fewer than you think provided you
don't cut or pull too soon.  On tape, I try to do this on a sharp curve, when
very little is needed to secure it and it does not
 show; not so easy in torchon, which is more even-weave, but there I should do
what I do in Bucks sometimes, keep the extra passive in for the whole of a
small motif, and it would take the maker's eye to see it!  If you are working
a very large piece, the sooner the need to fill bobbins and get rid of knots
is accepted, the easier it becomes; after a bit, it relieves the boredom, and
then it becomes almost automatic - like planning the end of a line of typing
on a manual machine when the bell rang!
 
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