- **labels**:  --> Fixed_2_21_0
- **status**: Started --> Fixed
- **Patch**: push -->  
- **Comment**:

Pushed to staging as
commit e09dc5acc4c80ba2c39f2ba3a9b7732f3e5a101d
Author: David Kastrup <[email protected]>
Date:   Sat Apr 7 22:47:53 2018 +0200

    Issue 5302/3: Let \tweak on event chords manipulate its elements
    
    This makes \tweak on event chords actually get heeded and creates
    reasonably predictable behavior by tweaking the rhythmic elements (but
    not chord-wide articulations).  It also passes tweaks transparently
    through music wrapper expressions (like transpositions, context
    changes and other).
    
    To achieve this, it creates and uses a get-tweakable-music function
    that will deliver a list of primary music expressions tweaks should be
    applied to.
    
    This function is also used in the definition of \once to decide when a
    warning for misapplication of \once might be called for.

commit 2827a6353a11414b139d93c4fdbd8fce62fb067f
Author: David Kastrup <[email protected]>
Date:   Sun Apr 8 19:16:39 2018 +0200

    Issue 5302/2: Refactor \once
    
    Separates the warning action of \once and its effect on overrides in
    order to reduce the number of surprises.

commit a8ecda697866c8e22b3c11a1728918929db26777
Author: David Kastrup <[email protected]>
Date:   Sat Mar 31 20:49:07 2018 +0200

    Issue 5302/1: Let \single use \tweak internally
    
    This is less efficient than directly manipulating the @samp{tweaks}
    property but closer follows the semantics of @code{\tweak},
    facilitating extensions to it.




---

** [issues:#5302] Let \tweak on event chords manipulate its elements**

**Status:** Fixed
**Labels:** Fixed_2_21_0 
**Created:** Sun Apr 08, 2018 06:50 PM UTC by David Kastrup
**Last Updated:** Sun Apr 15, 2018 09:14 AM UTC
**Owner:** David Kastrup


Let \tweak on event chords manipulate its elements

This makes \tweak on event chords actually get heeded and creates
reasonably predictable behavior by tweaking the rhythmic elements (but
not chord-wide articulations).  It also passes tweaks transparently
through music wrapper expressions (like transpositions, context
changes and other).

To achieve this, it creates and uses a get-tweakable-music function
that will deliver a list of primary music expressions tweaks should be
applied to.

This function is also used in the definition of \once to decide when a
warning for misapplication of \once might be called for.


Also contains commits:

Refactor \once

Separates the warning action of \once and its effect on overrides in
order to reduce the number of surprises.


Let \single use \tweak internally

This is less efficient than directly manipulating the @samp{tweaks}
property but closer follows the semantics of @code{\tweak},
facilitating extensions to it.

http://codereview.appspot.com/344770043


---

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