Hi Cynthia,
If you remove all the overrides and leave it as is you get a more legible
effect in my view. As Keiran says, the example you show is a strange engaving
choice. In general it’s better to avoid stems on the other side in this
particular sort of case unless there are strong musical and graphical reasons
for it. For simple polyphony, this just looks confusing to the player. This is
fine:
\version "2.19.32"
\new Staff {
R1
<<
\new Voice = "1" {
\voiceOne
g'2 f'
}
\new Voice = "2" {
\voiceTwo
e’2 <e' b>4~ <dis' b>
}
>>
R1
}
If you do want to do it, there is a more generalised solution for moving
noteheads in relation to the stem at LSR:
http://lsr.di.unimi.it/LSR/Item?id=861
Andrew
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