Guys,
if you do this:
\relative c'' {a \absolute {a''} b}
then you jump up an octave and down a seventh. Now, suppose you want the
notes AFTER the absolute one 'borrow' the pitch from it, so that in my
example the 'b' would actually be absolute b''. How would one do this
without creating a new \relative expression?
"Why on Earth would anyone want to do anything like this", I hear you ask?
I realised that this seems to be the simplest way of solving my infuriating
tagging issue with long music expressions written in the \relative mode,
with which I don't want to trouble you. "Use a good editor like Frescobaldi
and convert them to absolute", I hear you say? Sure, I might try that. But
if there's a way of achieving what I outlined above, I'd be grateful for a
hint!
Cheers,
Leszek.
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