On Thu, Mar 23, 2017 at 9:13 PM, Andrew Bernard <[email protected]> wrote: > I have an unusual beaming situation in the piano work I am setting. The > composer I work with is fussy (very) about his visual gestures in notation > and it is incumbent on me to reproduce the beaming seen in the attached > image. The issue I am having difficulty with is where the beam for the > spanned group goes from up to down with no break – at the point where the > “treble^8” clef is introduced. Are there any smart solutions to such a > situation? > > I can ask to have this notated differently, but it would go against various > large scale structural patterns in the music. [Yes, we know it does not > follow engraving rules ] So a technical lilypond solution would be great.
I would start to guess something like.. just faking it with simultaneous overlapping beams. But I've given up in the past on doing this exact thing more than once. I can't recall ever spending the time to work it out. Are the beams for the subdivisions (beyond quavers) always at least on one side or the other - and never both? Best, Jeffery -- Jeffery Shivers jefferyshivers.com soundcloud.com/jefferyshivers _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
