2017-03-24 2:13 GMT+01:00 Andrew Bernard <[email protected]>:
> Hi All,
>
>
>
> I have an unusual beaming situation in the piano work I am setting. The
> composer I work with is fussy (very) about his visual gestures in notation
> and it is incumbent on me to reproduce the beaming seen in the attached
> image. The issue I am having difficulty with is where the beam for the
> spanned group goes from up to down with no break – at the point where the
> “treble^8” clef is introduced. Are there any smart solutions to such a
> situation?
>
>
>
> I can ask to have this notated differently, but it would go against
> various large scale structural patterns in the music. [Yes, we know it does
> not follow engraving rules 😊] So a technical lilypond solution would be
> great.
>
>
>
> Andrew
>
Hi Andrew,
I've a hard time understanding what the composer wants to tell me (the
probable performer) at this point. For me it looks the dis has two
different duration-indications at the same stem: two beams at top and three
more below.
The only way to make sense of it would to assume a polyphonic situation.
This idea came me after 10 minutes of thinking about it...
Now I give up, obviously I'm not the man for such things, at the end of a
hard weeks work.
Sorry to say, I usually throw away scores where the composer obfuscates
things.
Nevertheless, a hint (no idea whether it will be really helpful):
{
b'16^[
\once \override Stem.beaming = #(cons (list 0 1) (list 0))
g''16
\once \override Stem.beaming = #(cons (list 0 1) (list 3 4 5))
dis'16
fis''32]
}
Cheers,
Harm
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