Better output with: -\tweak extra-offset #'(1.9 . -1.55) % <= to be set manually PPS
Le mer. 31 juil. 2019 à 08:42, Pierre Perol-Schneider < [email protected]> a écrit : > Hi Mason, > I couldn't find the correct incantation to modify the StaffSymbol and/or > the BreakAlignment properties... > So here's a hacky way, HTH: > > \version "2.21.0" > > \score { > << > \new Staff \relative c' { > c4 c c c | > \stopStaff > s1 > \startStaff > c4 c c c | > } > \new Staff \relative c' { > c4 c c c | > c4 c c > \once\textLengthOn > c > -\tweak extra-offset #'(1.9 . -1.5) % <= to be set manually > ^\markup\with-dimensions #'(0 . 4) #'(0 . 0)\musicglyph > #"clefs.F_change" | > \once\override Staff.Clef.stencil = ##f > \clef "bass" c4 c c c | > } > >> > } > > Cheers, > Pierre > > Le mer. 31 juil. 2019 à 00:53, <[email protected]> a écrit : > >> When a staff that has previously been stopped with \stopStaff is >> restarted with \startStaff on the first beat of a measure, and this >> coincides with a clef change in another staff, the first staff begins at >> the clef instead of the barline. >> >> %%% begin MWE %%% >> >> \version "2.21.0" >> >> \score { >> << >> \new Staff \relative c' { >> c4 c c c | >> \stopStaff >> s1 | >> \startStaff >> c4 c c c | >> } >> \new Staff \relative c' { >> c4 c c c | >> c4 c c c | >> \clef "bass" c4 c c c | >> } >> >> >> } >> >> %%% end MWE %%% >> >> This might be desirable in general, but in the context of my score >> (not necessarily in this MWE) it looks odd. Is there a way to override >> this behavior so that the staff begins on the barline? >> >> Thanks, >> >> Mason >> _______________________________________________ >> lilypond-user mailing list >> [email protected] >> https://lists.gnu.org/mailman/listinfo/lilypond-user >> >
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