On 07/31, Pierre Perol-Schneider wrote:
> \version "2.21.0"
> % Option 1:
> \score {
> <<
> \new Staff \relative c' {
> c4 c c c |
> \stopStaff
> s1 |
> \startStaff
> c4 c c c |
> }
> \new Staff \relative c' {
> c4 c c c |
> c4 c c c |
> \once\override Score.BreakAlignment.break-align-orders =
> #(make-vector 3 '(staff-bar clef))
> \clef "bass" c4 c c c |
> }
> >>
> }
>
> % Option 2:
> \score {
> <<
> \new Staff \relative c' {
> c4 c c c |
> \stopStaff
> s1 |
> \startStaff
> c4 c c c |
> }
> \new Staff \relative c' {
> c4 c c c |
> c4 c c c |
> \clef "bass" c4 c c c |
> }
> >>
> \layout {
> \context {
> \Score
> \remove Break_align_engraver
> }
> \context {
> \Staff
> \consists Break_align_engraver
> }
> }
> }Thanks Pierre, Both of these approaches seem promising. I like that neither requires manual tweaking, and I like that the Option 2 seems to not be specific to clefs, which is good since there are also some places where grace notes have a similar effect. However, the version in your earlier email does produce a better result, in that it changes where the staff begins as opposed to moving the barlines. I'll play around with these. Thanks. Mason
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