On 07/31, Pierre Perol-Schneider wrote: > \version "2.21.0" > % Option 1: > \score { > << > \new Staff \relative c' { > c4 c c c | > \stopStaff > s1 | > \startStaff > c4 c c c | > } > \new Staff \relative c' { > c4 c c c | > c4 c c c | > \once\override Score.BreakAlignment.break-align-orders = > #(make-vector 3 '(staff-bar clef)) > \clef "bass" c4 c c c | > } > >> > } > > % Option 2: > \score { > << > \new Staff \relative c' { > c4 c c c | > \stopStaff > s1 | > \startStaff > c4 c c c | > } > \new Staff \relative c' { > c4 c c c | > c4 c c c | > \clef "bass" c4 c c c | > } > >> > \layout { > \context { > \Score > \remove Break_align_engraver > } > \context { > \Staff > \consists Break_align_engraver > } > } > }
Thanks Pierre, Both of these approaches seem promising. I like that neither requires manual tweaking, and I like that the Option 2 seems to not be specific to clefs, which is good since there are also some places where grace notes have a similar effect. However, the version in your earlier email does produce a better result, in that it changes where the staff begins as opposed to moving the barlines. I'll play around with these. Thanks. Mason
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