https://lilypond.org/doc/v2.19/Documentation/learning/explicitly-instantiating-voices
\oneVoice
--
Phil Holmes
----- Original Message -----
From: "Bernhard Kleine" <[email protected]>
To: <[email protected]>
Sent: Thursday, April 09, 2020 11:43 AM
Subject: How to limit the effect of \voiceOne for certain parts of the
score?
Dear all,
in Mendelssohn Bartholdy's 100th psalm, the middle part is for eight
voices while the outer parts are only for four voices. When I define
soprano voice 1 and 2 for one staff at the beginning with voiceOne and
voiceTwo, the stems and pauses for the one soprano voice are optically
unpleasing. I would like to have the effect of \voiceOne resp. \voiceTwo
only for the middle part. How to achieve this?
Thanks a lot and stay healthy and democratic!
--
spitzhalde9
D-79853 lenzkirch
[email protected]
www.b-kleine.com, www.urseetal.net
Ich darf auch auf mein neues Buch "Falter in Lenzkirch" aufmerksam machen
(Infos bei mir)
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