Thanks a lot! Am 09.04.2020 um 14:22 schrieb Phil Holmes: > https://lilypond.org/doc/v2.19/Documentation/learning/explicitly-instantiating-voices > > > \oneVoice > > -- > Phil Holmes > > > ----- Original Message ----- From: "Bernhard Kleine" > <[email protected]> > To: <[email protected]> > Sent: Thursday, April 09, 2020 11:43 AM > Subject: How to limit the effect of \voiceOne for certain parts of the > score? > > > Dear all, > > in Mendelssohn Bartholdy's 100th psalm, the middle part is for eight > voices while the outer parts are only for four voices. When I define > soprano voice 1 and 2 for one staff at the beginning with voiceOne and > voiceTwo, the stems and pauses for the one soprano voice are optically > unpleasing. I would like to have the effect of \voiceOne resp. \voiceTwo > only for the middle part. How to achieve this? > > Thanks a lot and stay healthy and democratic! > > -- spitzhalde9 D-79853 lenzkirch [email protected] www.b-kleine.com, www.urseetal.net Ich darf auch auf mein neues Buch "Falter in Lenzkirch" aufmerksam machen (Infos bei mir) - thunderbird mit enigmail GPG schlüssel: D5257409 fingerprint: 08 B7 F8 70 22 7A FC C1 15 49 CA A6 C7 6F A0 2E D5 25 74 09
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