Hi Bert and welcome to the list.
It's nice to see you here!
Here's a template that may help you.
For barrés, see http://lsr.di.unimi.it/LSR/Item?id=952
HTH,
Cheers,
Pierre
PS. I'd strongly advise you to work with de v2.20:
http://lilypond.org/download.html
Le dim. 28 juin 2020 à 22:53, <[email protected]> a écrit :
> Hi lilypond folks,
>
> I'm trying to make a cleaned up version of the score here:
> http://www.knila.nl/files/Pasillo_no1.pdf (also attached).
>
> The composer is being quite expressive with stems and the notation in
> general, and I'd really like to replicate it.
>
> Right away I've started running into trouble. On the very first note, we
> have a doubled b. To a guitarist, that indicates that the note shall be
> played on more than one string. In lilypond I am having no luck figuring
> out how to make it do this.
>
> In the second measure, there are three voices. The melody (c' b'),
> accompaniment (c' b g b') (though the c' and b' are not doubled, those are
> just two voices sharing a note), and the bass (e,).
>
> Now I'm having the opposite problem as I ran into in the first note... I
> *don't* want to draw the c' twice, I just want two different stems coming
> out of it (seems to work ok for the b'). And then with the low e, I can't
> figure out how to get the half note to align horizontally with the b' from
> the first two voices. I am pretty sure I'm not just messing up the rhythm
> in my notation, but I could be wrong.
>
> Can anyone help me here? I'm embedding my .ly file below and attaching a
> rendered pdf.
>
> Also happy to have my markup style trounced on here, I'm mostly piecing
> things together from snippets in the lilypond docs.
>
> ---pasillo_n1.ly---
> \version "2.18.2"
> \header {
> title = "Pasillo No. 1"
> composer = "Prof Francisco A. Velasquez"
> }
>
> <<
> \relative d'' {
> \time 3/4
> \key g \major
> r8
> <<
> \new Voice = "melody"
> { \voiceThree
> b-0 cis-2[ dis-4] e-0[ fis-1] |
> r4 c'4. b8 |
> s4 e,4 r8 fis |
>
> }
> \new Voice { \voiceTwo
> b,-3 ais-3[ a-1] g-0[ fis-3] |
> s4 c''8[ b,] g[ b'] |
> g,,8[ g'] e'[ b] g[ fis] |
> }
> \new Voice { \voiceFour
> s2.
> e,4~ e2
> g4~ g2
> }
> >>
> }
> >>
>
>
>
\version "2.18"
global = {
\clef "G_8"
\time 3/4
\key g \major
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/8)
\set Timing.beatStructure = #'(2 2 2)
}
soprano = {
| % mes.1
b8\rest b-0 cis'-2 dis'-4 e'-0 fis'-1
| % mes.2
s4 cis''4. b'8
| % mes.3
g,8 b e'4 f'8\rest fis'
| % mes.4
s2.
| % mes.5
s2.
| % mes.6
s2.
| % mes.7
s2.
| % mes.8
s2.
| % mes.9
s2.
| % mes.10
s2.
| % mes.11
s2.
| % mes.12
s2.
| % mes.13
s2.
| % mes.14
s2.
| % mes.15
s2.
| % mes.16
s2.
| % mes.17
s2.
| % mes.18
s2.
| % mes.19
s2.
\repeat volta 2 {
| % mes.20
s2.
}
| % mes.21
s2.
\repeat volta 2 {
| % mes.22
s2.
}
| % mes.23
s2.
| % mes.24
s2.
| % mes.25
s2.
| % mes.26
s2.
| % mes.27
s2.
\break \bar ".|:-||" % <= Optional
\mark\default
\repeat volta 2 {
\key e\major
| % mes.28
s2.
| % mes.29
s2.
| % mes.30
s2.
| % mes.31
s2.
| % mes.32
s2.
| % mes.33
s2.
| % mes.34
s2.
| % mes.35
s2.
| % mes.36
s2.
| % mes.37
s2.
\repeat volta 2 {
| % mes.38
s2.
}
\repeat volta 2 {
| % mes.39
s2.
}
| % mes.40
s2.
| % mes.41
s2.
| % mes.42
s2.
| % mes.43
s2.
| % mes.44
s2.
| % mes.45
s2.
| % mes.46
s2.
| % mes.47
s2.
| % mes.48
s2.
| % mes.49
s2.
}
\key d\major
\tweak direction #DOWN
\tweak self-alignment-X #RIGHT
\mark\markup\right-column {
\line { "D.C." \box "A" }
\line \vcenter { "hasta" \musicglyph #"scripts.coda" }
}
\tempo \markup\fontsize #3 \musicglyph #"scripts.coda"
| % mes.50
s2.
| % mes.51
s2.
| % mes.52
s2.
\bar "|."
}
bass = {
\set stringNumberOrientations = #'(left)
| % mes.1
s8
\once \override NoteColumn.force-hshift = #1
b-3-\tweak extra-offset #'(0 . -2)\3 ais-3 a-1 g-0 fis-3
| % mes.2
e,4~ e,2
| % mes.3
g,4~
\once \override NoteColumn.force-hshift = #-.3
g,2
| % mes.4
s2.
| % mes.5
s2.
| % mes.6
s2.
| % mes.7
s2.
| % mes.8
s2.
| % mes.9
s2.
| % mes.10
s2.
| % mes.11
s2.
| % mes.12
s2.
| % mes.13
s2.
| % mes.14
s2.
| % mes.15
s2.
| % mes.16
s2.
| % mes.17
s2.
| % mes.18
s2.
| % mes.19
s2.
\repeat volta 2 {
| % mes.20
s2.
}
| % mes.21
s2.
\repeat volta 2 {
| % mes.22
s2.
}
| % mes.23
s2.
| % mes.24
s2.
| % mes.25
s2.
| % mes.26
s2.
| % mes.27
s2.
\repeat volta 2 {
\key e\major
| % mes.28
s2.
| % mes.29
s2.
| % mes.30
s2.
| % mes.31
s2.
| % mes.32
s2.
| % mes.33
s2.
| % mes.34
s2.
| % mes.35
s2.
| % mes.36
s2.
| % mes.37
s2.
\repeat volta 2 {
| % mes.38
s2.
}
\repeat volta 2 {
| % mes.39
s2.
}
| % mes.40
s2.
| % mes.41
s2.
| % mes.42
s2.
| % mes.43
s2.
| % mes.44
s2.
| % mes.45
s2.
| % mes.46
s2.
| % mes.47
s2.
| % mes.48
s2.
| % mes.49
s2.
}
\key d\major
| % mes.50
s2.
| % mes.51
s2.
| % mes.52
s2.
\bar "|."
}
alto = {
%\shiftOff % <= No!
\override NoteColumn.force-hshift = #0
| % mes.1
s2.
| % mes.2
s4 cis''8 b g b'
| % mes.3
s4 e'8 b g fis'
| % mes.4
s2.
| % mes.5
s2.
| % mes.6
s2.
| % mes.7
s2.
| % mes.8
s2.
| % mes.9
s2.
| % mes.10
s2.
| % mes.11
s2.
| % mes.12
s2.
| % mes.13
s2.
| % mes.14
s2.
| % mes.15
s2.
| % mes.16
s2.
| % mes.17
s2.
| % mes.18
s2.
| % mes.19
s2.
\repeat volta 2 {
| % mes.20
s2.
}
| % mes.21
s2.
\repeat volta 2 {
| % mes.22
s2.
}
| % mes.23
s2.
| % mes.24
s2.
| % mes.25
s2.
| % mes.26
s2.
| % mes.27
s2.
\repeat volta 2 {
\key e\major
| % mes.28
s2.
| % mes.29
s2.
| % mes.30
s2.
| % mes.31
s2.
| % mes.32
s2.
| % mes.33
s2.
| % mes.34
s2.
| % mes.35
s2.
| % mes.36
s2.
| % mes.37
s2.
\repeat volta 2 {
| % mes.38
s2.
}
\repeat volta 2 {
| % mes.39
s2.
}
| % mes.40
s2.
| % mes.41
s2.
| % mes.42
s2.
| % mes.43
s2.
| % mes.44
s2.
| % mes.45
s2.
| % mes.46
s2.
| % mes.47
s2.
| % mes.48
s2.
| % mes.49
s2.
}
\key d\major
| % mes.50
s2.
| % mes.51
s2.
| % mes.52
s2.
\bar "|."
}
%% The score:
%% #(set-global-staff-size 18) % <= optional
%% \pointAndClickOff % <= optional
\paper {
page-count = 2
ragged-bottom = ##f
system-system-spacing.basic-distance = 19
}
\header {
title = "Pasillo No. 1"
composer = "Prof Francisco A. Velasquez"
tagline = ""
}
\score {
\new Staff <<
\new Voice { \voiceOne \global \soprano }
\new Voice { \voiceTwo \global \bass }
\new Voice { \voiceFour \global \alto }
>>
\layout {
system-count = 12
\context {
\Score
markFormatter = #format-mark-box-letters
}
\context {
\Staff
instrumentName = "Guitar"
}
}
\midi {
\tempo 4 = 84
}
}
