Well, someone has to put that info in. If it’s for a whole section, either it’s the composer or the orchestra librarian. Who cares of the conductor changes it, that’s their choice. If it’s for a single player like a keyboardist, I would be inclined to leave more open to the player - I am a keyboardist with relatively small hands, and many times I physically can’t do the fingerings the composer puts in, and so printed fingerings do clutter the score when I have to just cross them out.😁 Also, pedaling may change based on the acoustics of the room…
El El lun, may. 30, 2022 a la(s) 9:27 a.m., David Kastrup <d...@gnu.org> escribió: > Kieren MacMillan <kie...@kierenmacmillan.info> writes: > > > Hi David, > > > >> I disagree. There is no point in cluttering the conductor's part with > >> stuff like fingerings (only relevant to the player) and bowing > >> directions (section leader material). > > > > Actually, we agree completely: I believe there’s no point in > > cluttering performers’ parts with fingerings (ever) or bowing > > directions (almost ever). ;) > > It's a matter of efficiency for sections expected to sightread large > parts of their material to work with performance-ready information even > if it results from arbitrary choices. > > -- > David Kastrup > >
