Hi Gabriel, > I lean slightly toward Hans’s approach over Kieren’s, as it feels closer to > the experience of composing by hand in pencil/pen on manuscript paper: “I’ve > written out all the notes that go in this measure, so now I’ll draw a bar > line signaling its end,” without having to count the number of “quarter note > equivalents” and go back to the beginning of the measure and write a \time > command.
I agree! I wonder if this is something that could be done (a) more automatically, and (b) without the need for a “hack” like \partial 1024 s1024…? Maybe someone out there with a better understanding of Lilypond “under the hood” can come up with something even more elegant. All the best, Kieren. __________________________________________________ My work day may look different than your work day. Please do not feel obligated to read or respond to this email outside of your normal working hours.
