Dear Jay,
You wrote : "What should the output be? {c4 g' b, f' c g'} or {c4 g' b, fis'
c g'}".
In my case, I'm much more interested in the second case "{c4 g' b, fis' c
g'}". Because I'm writing mostly atonal music, I don't have to fear
voice-leading teachers (and I think broken fifths have never been
forbidden)!
2008/7/27 Jay Anderson <[EMAIL PROTECTED]>
> On Sun, Jul 27, 2008 at 9:46 AM, Stefan Thomas
> <[EMAIL PROTECTED]> wrote:
> > Dear Jay,
> > many thanks for Your very nice plugin! I think it will be a very useful
> > thing for me.
> > But I have one question:
> > I would be interested in having other plugins for other intervalls, or
> even
> > for small sequences of notes. If I want to change the Interval from an
> > ovtave to, lets say, a fifth, where do I have to turn the screw?
> > Thanks for Your help, Stefan
>
> It isn't trivial to get other intervals. For example if we're in the
> key of c major and we do this: \brokenfifths #1 {c4 b c}
>
> (don't let your voice leading teacher know you have this function :)
>
> What should the output be? {c4 g' b, f' c g'} or {c4 g' b, fis' c g'}
>
> Probably the first. So now let's do the same thing in f major: \key f
> \major \brokenfifths #1 {f4 e f}
>
> We'd probably want {f4 c' e, bes' f c'}. To do that we'd need some
> information about the key to know we need a b flat here. Peter Chubb
> has done some work here to get trills working on correct pitches for
> midi (for that computer controlled clarinet project). (see
> http://lists.gnu.org/archive/html/lilypond-user/2008-04/msg00686.html).
> I never followed up with him about how he's noting key change events.
> He might be processing a whole score at once to get this extra
> information.
>
> -----Jay
>
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