Dear Jay,
I tried something with:
quintrauf = #(define-music-function (parser location x) (ly:music?)
#{
$x \transpose c g { $x }
#})
\new Staff { \quintrauf c' \quintrauf d' \quintrauf e' \quintrauf f' }
With copy and paste You can be very fast with the "\quintrauf"-command, but,
it is not much faster then just typing the notes.
I desire a function, where You can type just once "\quintrauf", and all the
following notes will be changed. I think it must be possible.
2008/7/29 Jay Anderson <[EMAIL PROTECTED]>
> On Mon, Jul 28, 2008 at 12:11 AM, Stefan Thomas
> <[EMAIL PROTECTED]> wrote:
> > Dear Jay,
> > You wrote : "What should the output be? {c4 g' b, f' c g'} or {c4 g' b,
> fis'
> > c g'}".
> > In my case, I'm much more interested in the second case "{c4 g' b, fis' c
> > g'}". Because I'm writing mostly atonal music, I don't have to fear
> > voice-leading teachers (and I think broken fifths have never been
> > forbidden)!
>
> That would be doable since every interval will always be a perfect
> fifth. Some care would need to be taken to make sure the octaves are
> right. My first thought for the broken octave function was to make it
> generate something like this:
>
> music = \relative c' {c8 s b s e s d}
> transposed = \transpose c g \music
>
> \score
> {
> \new Staff \relative c'
> {
> \new Voice
> <<
> {\music s8}
> {s8 \transposed}
> >>
> }
> \layout {}
> \midi {}
> }
>
> This might be a better general approach.
>
> -----Jay
>
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