Hi all,
I'm just getting started with LilyPond, and am trying to create a
spatial notation, and using Glissandos to show duration. My question
has to do with the middle three notes in the example below.
1) For the connection between the B-flat to the C, then the C to the B-
flat, is there a way to either just tell the Glissandos to be flat OR
to predict what value I need for the #'right #'Y parameter? Or - is
there a way to just draw flat lines from a note head that I just
haven't found?
2) Assuming that glissandos are the way to go here, is there a way to
avoid the collision between the C and the flat in the second B-flat?
Thanks for your help.
Best,
Josh
\header {
tagline = ##f
composer = ##f
}
\paper {
paper-width = 14\cm
paper-height = 7\cm
top-margin = 0.1\cm
left-margin = 0.1\cm
}
\include "english.ly"
lowerLower = \new Voice = "lowerLower" {
\voiceTwo
\override Glissando #'thickness = 5
\override Stem #'transparent = ##t
\override Glissando #'bound-details #'right #'Y = #2
a4 \glissando s s \once \override NoteHead #'transparent = ##t a4 s s
\once \override Glissando #'bound-details #'right #'Y = #2.5
bf4 \glissando
\once \override Glissando #'bound-details #'right #'Y = #3
c'4 \glissando s s
bf8
a4 \glissando s s
\once \override NoteHead #'transparent = ##t a4
}
\score {
\new Staff = "bass" <<
\override Staff.TimeSignature #'transparent = ##t
\override Staff.BarLine #'transparent = ##t
\clef bass
\time 4/4
\lowerLower
>>
}
******************************************
/* Joshua D. Parmenter
http://www.realizedsound.net/josh/
“Every composer – at all times and in all cases – gives his own
interpretation of how modern society is structured: whether actively
or passively, consciously or unconsciously, he makes choices in this
regard. He may be conservative or he may subject himself to continual
renewal; or he may strive for a revolutionary, historical or social
palingenesis." - Luigi Nono
*/
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