Hi Josh,
Warm welcome lilyland (we met at BYU last year, if you remember).
This should do the trick.
\override Glissando #'bound-details #'right #'padding = #2
Neil
On Wed, Sep 3, 2008 at 2:15 PM, Josh Parmenter <[EMAIL PROTECTED]>wrote:
> Hi all,
> I'm just getting started with LilyPond, and am trying to create a spatial
> notation, and using Glissandos to show duration. My question has to do with
> the middle three notes in the example below.
>
> 1) For the connection between the B-flat to the C, then the C to the
> B-flat, is there a way to either just tell the Glissandos to be flat OR to
> predict what value I need for the #'right #'Y parameter? Or - is there a way
> to just draw flat lines from a note head that I just haven't found?
> 2) Assuming that glissandos are the way to go here, is there a way to avoid
> the collision between the C and the flat in the second B-flat?
>
> Thanks for your help.
>
> Best,
>
> Josh
>
> \header {
> tagline = ##f
> composer = ##f
> }
>
> \paper {
> paper-width = 14\cm
> paper-height = 7\cm
> top-margin = 0.1\cm
> left-margin = 0.1\cm
>
> }
>
> \include "english.ly"
>
> lowerLower = \new Voice = "lowerLower" {
> \voiceTwo
> \override Glissando #'thickness = 5
> \override Stem #'transparent = ##t
> \override Glissando #'bound-details #'right #'Y = #2
> a4 \glissando s s \once \override NoteHead #'transparent = ##t a4 s s
> \once \override Glissando #'bound-details #'right #'Y = #2.5
> bf4 \glissando
> \once \override Glissando #'bound-details #'right #'Y = #3
> c'4 \glissando s s
> bf8
> a4 \glissando s s
> \once \override NoteHead #'transparent = ##t a4
> }
>
> \score {
> \new Staff = "bass" <<
> \override Staff.TimeSignature #'transparent = ##t
> \override Staff.BarLine #'transparent = ##t
> \clef bass
> \time 4/4
> \lowerLower
> >>
>
> }
>
> ******************************************
>
> /* Joshua D. Parmenter
>
> http://www.realizedsound.net/josh/
>
>
> "Every composer – at all times and in all cases – gives his own
> interpretation of how modern society is structured: whether actively or
> passively, consciously or unconsciously, he makes choices in this regard. He
> may be conservative or he may subject himself to continual renewal; or he
> may strive for a revolutionary, historical or social palingenesis." - Luigi
> Nono
> */
>
>
> _______________________________________________
> lilypond-user mailing list
> [email protected]
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
--
Neil Thornock, D.M.
Assistant Professor of Music
Composition/Theory
Brigham Young University
http://neilthornock.net
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