2009/12/11 Owain Sutton <[email protected]>:
> I realise now I've checked that the Tchaikovsky does have rests in the
> lower 'voice'. The Stravinsky doesn't, however, - but you can just
> about make it out here, at figure 2:
> http://www.sheetmusicplus.com/look_inside/5867960/image/262798
How about this? First two chords of Elgar cello concerto:
\relative c {
\clef bass
<<
{
\voiceOne
<e b'>2
<g e'>2
}
\new Voice {
\voiceTwo
<g, e'>16 s16 s8 s4
<e b'>16 s16 s8 s4
}
>>
}
Basic idea is using multiple voices to represent the different chord
parts, and hiding rests by using the 's' spacer (invisible) rest. A
little clunky with quite a lot of syntactic cruft; I don't know
lilypond well enough to say if there's a better way of doing it.
Phil
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