+1 for option C
Cheers,
Mike
On Fri, Dec 17, 2010 at 4:43 PM, Keith OHara <k-ohara5...@oco.net> wrote:
> On Fri, 17 Dec 2010 04:09:10 -0800, Phil Holmes <m...@philholmes.net>
> wrote:
>
>>
>> The version that Chappell uses in the Mikado is attached.
>>
>> Nice.
> It does break the usual rules about horizontal placement, and about when to
> cancel accidentals in another voice. But, with the beaming to clarify the
> timing and linking the voices, I did not notice any rules were broken
> --until I tried to produce it with Lilypond.
>
> It would be reasonable to ask Lilypond to produce 'A' below on her own, and
> even better if she would offset the notes as in 'B' (which she does do for
> chords in one voice). Probably a human should decide when to bend the rules
> to produce 'C'.
>
> I think it helps to show the desired behavior in the tracker, and plan to
> put what is below in a comment to 1134, unless somebody either beats me to
> it or has second thoughts.
> -Keith
>
>
> \relative c' { \time 2/8
> << s1*0^wrong
> { fis8 g } \\ { f f } >>
> << s1*0^A
> { fis8 g } \\ { f! f } >>
> << s1*0^B
> { fis8 g } \\
> { \once\override NoteColumn #'force-hshift = #1
> f! f } >>
> << s1*0^C
> #(set-accidental-style 'voice)
> { fis8[ g] } \\ {
> s64 f!8*7/8[ f] } >>
> }
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>
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