Hi all, > Personally, I use "-" for minor chords, and add a superscript triangle-7
I find the triangle to be less well-known in the circles in which I travel — mostly music theatre, but also some jazzers (n.b., most, of course, are familiar with the triangle notation). The best notation I’ve found — i.e., the least ambiguous and most immediately [sight-]readable — is Cm(maj7), including parentheses. I’ve never had anyone complain about that notation, whereas the triangle leads to discussion/explanation in a statistically-significant portion of the sessions I’ve attended. > provided the "maj7" part comes as a superscript. Having learned my lesson the hard way, I now avoid all super- and sub-scripts: when players or situations present vision limitations (e.g., players need glasses, light is low, etc.), the smaller font sometimes leads to problems. Hope this helps! Kieren. _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
