David Nalesnik <[email protected]> writes: > I just discovered that typesetting a piano piece which constantly uses > temporary voices is much easier in absolute mode. Switching from voice > to voice no longer gives any register surprises. > > Absolute mode also tempts me to skip a few measures when I want to > procrastinate tackling a difficult spot but still want to keep > working.
Well, there is always \resetRelativeOctave, and after getting the octaves wrong, at most one note needs changing to get back into synch anyway. While the make-relative macro can help a lot, designing music manipulating macros that don't do surprising things in \relative mode is also tricky. -- David Kastrup _______________________________________________ lilypond-user mailing list [email protected] https://lists.gnu.org/mailman/listinfo/lilypond-user
