Hello!
When inputting code for polyphony, e.g. a fugue, using explicit voices (<<
\new voice { voiceOne . } \new voice { voiceTwo } >> ), the first note of
voiceTwo is placed, octave wise, in relation to the last note set in
voiceOne. As the last note entered in voiceOne changes octave, all of
voiceTwo moves up or down. The only way I could find to avoid this was to
set all of voiceOne and then set voiceTwo.
Does an alternative exist?
Thank you for your kind attention.
Mark
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