Abraham,

 

Thank you!

 

Mark

 

From: [email protected] 
[mailto:[email protected]] On Behalf Of tisimst
Sent: Friday, October 31, 2014 12:24 PM
To: [email protected]
Subject: Re: inputting with explicit voices

 

Mark,

 

If I understand you correctly, this is because of a single \relative a the 
beginning of the polyphony. Yes? Like,

 

\relative c' {

  << 

    \new Voice { \voiceOne ... }

    \new Voice { \voiceTwo ... }

  >>

}

 

Then, yes, whatever pitch is used last in the \voiceOne section will determine 
the relative starting point of the first pitch in the \voiceTwo section. One 
workaround that I have used is to do something like this:

 

\relative c' {

  << 

    \new Voice { \voiceOne ... }

    \new Voice \relative c' { \voiceTwo ... }

  >>

}

 

Or something like that. That way, the \voiceTwo section will always start 
relative to c' instead.

 

HTH,

Abraham

 


On Fri, Oct 31, 2014 at 12:20 PM, Mark Stephen Mrotek [via Lilypond] <[hidden 
email]> wrote:



Hello!

 

When inputting code for polyphony, e.g. a fugue, using  explicit voices (<< 
\new voice { voiceOne … } \new voice { voiceTwo } >> ), the first note of 
voiceTwo is placed, octave wise, in relation to the last note set in voiceOne. 
As the last note entered in voiceOne changes octave, all of voiceTwo moves up 
or down. The only way I could find to avoid this was to set all of voiceOne and 
then set voiceTwo.

 

Does an alternative exist?

 

Thank you for your kind attention.

 

Mark


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