On Wed, Nov 19, 2014 at 10:54 AM, Michael Ellis <michael.f.el...@gmail.com> wrote:
> > > > I find it advantageous when working with multiple voices to keep > 'structural' information (meter, tempo, etc.) in a separate voice that gets > combined with the other voices as illustrated in the image and code below. > In this example, the pdf layout is correct and the MIDI output honors the > tempo change, but doesn't repeat the second measure despite using a > separate score block with \unfoldRepeats. > > After some further research, it appears that there is no general solution (other than copying the volte into each voice) so I'm dropping the question. I have another question that's somewhat related. If my example contained notes above the middle line, you would notice that the stem directions would still be up because I designated \music as \voiceOne and \structure as \VoiceTwo. > music = \relative c' { c4 d e | f g a b } > > structure = { > \time 3/4 \tempo 4=60 s2. > \time 4/4 \tempo 4=120 \repeat volta 2 { s1 } > } > > \score { > \new Staff = "Music" { > << > \new Voice = "Music" { \voiceOne \music } > \new Voice = "Structure" { \voiceTwo \structure } > >> > } > } > > Is there a way to tell LilyPond to apply the usual single voice rules for stem direction to \music?
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