On Wed, Nov 19, 2014 at 10:54 AM, Michael Ellis <[email protected]>
wrote:
>
>
>
> I find it advantageous when working with multiple voices to keep
> 'structural' information (meter, tempo, etc.) in a separate voice that gets
> combined with the other voices as illustrated in the image and code below.
> In this example, the pdf layout is correct and the MIDI output honors the
> tempo change, but doesn't repeat the second measure despite using a
> separate score block with \unfoldRepeats.
>
>
After some further research, it appears that there is no general solution
(other than copying the volte into each voice) so I'm dropping the question.
I have another question that's somewhat related. If my example contained
notes above the middle line, you would notice that the stem directions
would still be up because I designated \music as \voiceOne and \structure
as \VoiceTwo.
> music = \relative c' { c4 d e | f g a b }
>
> structure = {
> \time 3/4 \tempo 4=60 s2.
> \time 4/4 \tempo 4=120 \repeat volta 2 { s1 }
> }
>
> \score {
> \new Staff = "Music" {
> <<
> \new Voice = "Music" { \voiceOne \music }
> \new Voice = "Structure" { \voiceTwo \structure }
> >>
> }
> }
>
>
Is there a way to tell LilyPond to apply the usual single voice rules for
stem direction to \music?
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