Am 22.11.2014 17:12, schrieb Michael Ellis:
I have another question that's somewhat related. If my example
contained notes above the middle line, you would notice that the stem
directions would still be up because I designated \music as \voiceOne
and \structure as \VoiceTwo.
music = \relative c' { c4 d e | f g a b }
structure = {
\time 3/4 \tempo 4=60 s2.
\time 4/4 \tempo 4=120 \repeat volta 2 { s1 }
}
\score {
\new Staff = "Music" {
<<
\new Voice = "Music" { \voiceOne \music }
\new Voice = "Structure" { \voiceTwo \structure }
>>
}
}
Is there a way to tell LilyPond to apply the usual single voice rules
for stem direction to \music?
Well, in this case you don't have any conflicting music in the two Voice
contexts (because the \structure isn't a printed music voice).
So you can simply leave out the \voiceXXX commands and you're ready.
using \voiceOne and \voiceTwo is not mandatory at all to manage two
voices. These commands only give LilyPond the necessary clues how to
deal with potential collision events and how to typeset the voices (e.g.
the stem direction you noticed, but also which voice would move to which
direction in case of collisions etc.).
HTH
Urs
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