Here is one way to specify and differentiate C9 from C add9
\version "2.18.2"
myChordExceptions = {
<c e g d'>1-\markup { \raise #0.7 { \tiny " add" } \raise #0.7 {
\normalsize 9 } }
}
chExceptions = #(append (sequential-music-to-chord-exceptions
myChordExceptions #t) ignatzekExceptions)
myChordSequence = \chordmode {
\set chordChanges = ##t
\set chordNameExceptions = #chExceptions
c1:5.9
c1:9
}
myMelody = \relative c'' {
c1
c1
}
\score {
\new StaffGroup <<
\new ChordNames \myChordSequence
\new Staff {
\myMelody
}
>>
}
On Thu, Dec 4, 2014 at 1:53 PM, <[email protected]> wrote:
> From: Jan Kohnert <[email protected]>
> To: 'LilyPond User Group' <[email protected]>
> Subject: Displaying add9
> Message-ID: <1564599.IUIxDSMBDZ@kohni>
> Content-Type: text/plain; charset="utf-8"
>
> Hi folks,
>
> by lilypong 2.18 typing c1:9^7 doesn't display "Cadd9" anymore, but instead
> writes C9 which would be C7/9, and makes the two chords (C9, and Cadd9)
> displayed the same way. Is there any whay around this? The setting of
> \semiGermanChords doesn'T make any difference. :(
>
> Minimal example atached? :)
>
> I'm using version 2.18.2.
>
> --
> MfG Jan
>
HTH,
David Elaine Alt
415 . 341 .4954 "*Confusion is
highly underrated*"
[email protected]
self-immolation.info
skype: flaming_hakama
Producer ~ Composer ~ Instrumentalist
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