Hi Arto, it sounds quite well to my ears the way it is notated (with a-e).
G-e would have been notated as a Tabulature a on the 6th course. The system, Attaingnant used was based on 5 courses (only 5 lines for the tab and the 6th course notated underneath). This would be the only occurance of a seventh course in Attaingnant's works. Best wishes Thomas Am Mit, 2003-11-05 um 23.40 schrieb Arto Wikla: > Dear lutenists, > > I took a closer look to the Attaingnant "La Magdalena" in the Heartz > edition. The 4th last bar (actually "mensur"!) in the tabulature > of the Basse dance is: > > |\ \\ |\ > | | | > ___c___a_________________________ > |__d_____d__c__a__c____|__a___d__ > |__d___________________|__a______ ... > |__a___________________|_________ > |___________c__________|__c______ > > > And Heartz has also notated it just like that. I suppose this place > is so also in the original. Can anyone confirm that? > > Anyhow, I definitely want to change the bass like this: > > |\ \\ |\ > | | | > ___c___a_________________________ > |__d_____d__c__a__c____|__a___d__ > |__d___________________|__a______ ... > |__a___________________|_________ > |______________________|__c______ > c > > Any comments, opinions or "contrapositions"? ;-) > > Arto -- Thomas Schall Niederhofheimer Weg 3 D-65843 Sulzbach 06196/74519 [EMAIL PROTECTED] www.lautenist.de / www.tslaute.de/weiss --
