> And ET is not "indispensable" for modulation - as I hoped I had made clear, > it is just one of many temperaments which allow modulation to any key. It > also has the unfortunate effect of making all keys sound the same, and > therefore largely removes the point of modulating in the first place... Why is it then that composers start modulating only when the temperament becomes sufficiently equalized? RT ______________ Roman M. Turovsky http://turovsky.org http://polyhymnion.org
- Re: Fw: Equal Temperament Jon Murphy
- Re: Fw: Equal Temperament LGS-Europe
- equal temperament Martin Shepherd
- Re: equal temperament Roman Turovsky
- Re: equal temperament Jerzy ZAK
- Re: equal temperament Roman Turovsky
- Re: equal temperament Howard Posner
- Re: equal temperament Roman Turovsky
- Re: equal temperament Martin Shepherd
- Re: equal temperament Howard Posner
- Re: equal temperament Roman Turovsky
- Re: equal temperament Howard Posner
- Re: equal temperament Roman Turovsky
- Re: equal temperament Roman Turovsky
- Re: equal temperament Howard Posner
- Re: equal temperament Arto Wikla
- Re: equal temperament James A Stimson
- Re: equal temperament James A Stimson