<mailto:[EMAIL PROTECTED]> schrieb:
> You're quite right that these are modern terms and
> that this assumes a modern conception of interval
> content.  However, how many of us fluently think in
> terms of the gamut, mutation, etc. when we play
> renaissance or medieval repertoire?  Do any of you out
> there think about and analyze this music using the
> same concepts that the composers did?  Does it matter?

well, yes, it does. I, for one, when I play renaissance music, enjoy
listening to ascending and descending lines that follow the habits of
their respective modes. It's fun and it makes that music so much more
interesting to me.  
-- 
Cheers,

Mathias



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