>> 1. Carbon strings held tuning throughout the 10-hour >overnight ride to >> Cleveland. 11th course octave was a little flat in the >morning. I didn't >> touch a peg for the rest of the weekend > > So let me get this straight, your saying over a three day period from NY. > In different rooms, hotel, houses, concert hall etc. you didn't touch a peg > other than your 11th course. You are either "pitch challenged", or prone to > spinning tall tales, most likely both! > Michael Thames 1. Our main vocalist Julian Kytasty has perfect pitch, so he would have mentioned it if I were out of tune. 2. I am "pitch challenged" so I use devices. My Korg-AT1 didn't say anything either. 3. I guess I have to thank Larry Brown for a really stable intrument. Maybe you should apprentice to him. 4. One other possibility is that Ken Be' tuned my axe when I wasn't looking, on Saturday, but it is not very likely. RT
-- http://polyhymnion.org/torban > >> P.S. >> 2 interesting details: >> 1. Carbon strings held tuning throughout the 10-hour overnight ride to >> Cleveland. 11th course octave was a little flat in the morning. I didn't >> touch a peg for the rest of the weekend. >> 2. Our program is on a controversial side, and it might (and should) have >> caused considerable consternation on the part of clergy of 4 denominations >> present (including an archbishop). But Mar'jana's act consisted largely > from >> the songs she collected at the Carpathian fertility rites, which are >> basically Pagan, and outright scabrous. Imagine what was going on in >> celibate heads. >> RT >> ______________ >> Roman M. Turovsky >> http://polyhymnion.org/swv >> >> >> >> >> To get on or off this list see list information at >> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >> > >
